1. 
            Easy Walker - Intro 
          
2. 
            Easy Walker 
          
3. 
            Song Without Words - Intro 
          
4. 
            Song Without Words 
          
5. 
            Elegy 
          
6. 
            Rain Threads - Intro 
          
7. 
            Rain Threads 
          
8. 
            Street of Dreams - Intro 
          
9. 
            Street of Dreams 
          
10. 
            Foots 
          
11. 
            Stan's Song - Intro 
          
12. 
            Stan's Song 
          
13. 
            Night Mist - Intro 
          
14. 
            Night Mist 
              
              
            Lee Shaw - Piano 
            Rich Syracuse - Bass 
            Jeff "Siege" Siegel - Drums 
              
          
The best word I can find to describe pianist Lee Shaw 
            is "ladylike". This is not only because she is a lady but 
            also because she has a delicate touch at the piano and seldom plays 
            with excessive force. Mind you, she was aged 81 when this CD was recorded 
            at Graz in Austria in November  2007, which may explain her generally 
            gentle approach. 
          
Lee wrote five of the eight tunes on the album, most 
            of which are preceded by her spoken introductions. The non-originals 
            are Billy Taylor's Easy Walker, which makes a swinging opener; 
            Victor Young's Street of Dreams, which displays the lyrical 
            side of Lee's playing; and Ahmad Jamal's Night Mist, which 
            is given a relaxed ten-minute outing by the trio (although the drum 
            solo is frankly a bit of a mess). Altogether the trio's playing is 
            likeable without being particularly outstanding. 
          
The package appears attractive because it includes 
            a DVD as well as a CD. However, the recording quality of the DVD is 
            poor and the footage looks like a home movie. The camera mostly remains 
            stationary, only moving occasionally to zoom in on the musicians, 
            although the pianist's hands are often half-hidden behind someone's 
            head. And the sound quality is poor: recorded in an echoey room. The 
            so-called "bonus track" - Blues Eleven - is illustrated 
            with still photos, and there are interviews with the band members 
          
So this is a pleasant package but let down by the presentation. 
           
          
 Tony Augarde