1. The Nearness of You 
          2. Summertime 
          3. It’s All Right with Me 
          4. Like a Lover 
          5. Straighten Up and Fly Right 
          6. Skylark 
          7. (It’s Gonna Be a) Great Day 
          8. I Got it Bad (and That Ain’t Good) 
          9. Bluesette 
          10. You Don’t Know What Love Is 
          11. Sabor a Mi 
          12. A Lazy Afternoon 
        
  
        
  
          La Tanya Hall – Vocals 
          Chuck Wilson, Gary Keller, Dave Mann, Al Regni, Dave Rickenberg – Saxes, 
          clarinets, flutes 
          Richard Heckman – Oboe 
          Glenn Drewes, Don Downs - Trumpets, flugelhorns 
          Kevin Osborne, George Flynn – Trombones 
          Barry Finclair, Richard Sortomme, Ann Leathers, Carol Pool, Shinwon 
          Kim – Violins 
          Stephanie Cummins, Arthur Fiacco - Cellos 
          Dave Finck – Bass 
          Jay Bianchi – Piano 
          Jay Berliner – Guitar 
          Ron Zito – Drums 
          Mauro Refosco – Percussion 
          Angelo DiPippo – Accordion, conductor, arranger 
            
          Recorded in NYC 2006. 
            
        
La Tanya Hall has held her place in the NYC music scene 
          for ten years and that alone tells you that she is a class act. In the 
          world’s most competitive music market only the best survive: there is 
          no place for anybody who is not of the very best. As you would expect 
          therefore, this is a top-class album from an excellent singer and the 
          musical accompaniment arranged and directed by Angelo DiPippo reflects 
          the talent that is available in NYC.  
        
The tune selection is also excellent, mostly standard 
          songs from the cream of composers, the earliest being Vincent Youmans’ 
          Great Day from 1925, through to Sergio Mendes' Like a Lover. 
        
The two Hoagy Carmichael songs Skylark and 
          The Nearness of You are delivered with great sincerity, and the 
          hard swinging tracks do just that.  
        
La Tanya is a force to be reckoned with; she has a big 
          range and excellent control of intonation, intensity and vibrato. Angelo 
          DiPippo’s arrangements are great and his use of the accordion on some 
          numbers adds yet another dimension to his excellent work.  
        
Another person who must be mentioned is tenor man Dave 
          Mann, who solos impressively on many of the tracks. He has a super tenor 
          sound and sufficient technique to enable him to deliver on his excellent 
          ideas.  
        
This is La Tanya’s first album: I am sure we will hear 
          a lot more of her. I recommend it to all.  
        
Don Mather