1. Lester Leaps In 
            2. When We Were One 
            3. The Blues Walk 
            4. Mentor 
            5. How Deep is the Ocean? 
            6. The JAMES Are Coming 
            7. Hot Sake 
              
              
            Johnny Griffin - Tenor sax 
            Roy Hargrove - Trumpet, flugelhorn 
            Reggie Johnson - Bass 
            Billy Cobham - Drums 
            James Pearson - Piano (track 1) 
            David Newton - Piano (tracks 2-4, 6, 7) 
            Paul Kuhn - Piano, vocals (track 5) 
          
  
          
This was not intended to be Johnny Griffin's last record 
            date but it may turn out that way. Having recently celebrated his 
            80th birthday, Johnny appeared at the Ronnie Scott club in London 
            in May last year but he sadly died a couple of months later. His dexterity 
            on the tenor sax had earned him such nicknames like "The Little 
            Giant" (he was about five-and-a-half feet tall) and "The 
            Fastest Gun in the West" - although on this session he couldn't 
            quite manage to keep up with such fast tempos as that for the opening 
            Lester Leaps In. However, he opens the tune unaccompanied, 
            with the familiar Griffin fire still blazing. Pianist James Pearson 
            flies the flag for Britain, and Billy Cobham contributes a scintillating 
            drum solo. 
          
Roy Hargrove's smooth tone on the flugelhorn is heard 
            to advantage on When We Were One, where the slower tempo allows 
            Griffin to play with tender eloquence, and David Newton plays some 
            intriguing tricks at the top of the piano. Newton is also outstanding 
            in his Debussyesque solo on Mentor. The Blues Walk allows 
            Griffin to display his lifelong allegiance to the blues. 
          
Veteran German pianist Paul Kuhn guests on How Deep 
            is the Ocean? with just the bass and drums as accompaniment. He 
            also sings, but with only an approximation of the melody. 
          
The album ends with two Griffin originals. The JAMES 
            Are Coming is a loping blues with virile trumpet from Roy Hargrove, 
            classy piano  by David Newton, relaxed tenor sax from Griffin, and 
            a good bass solo from Reggie Johnson, who is omitted from the personnel 
            listing on the back sleeve. Hot Sake is a storming piece (based 
            on the chords of What is This Thing Called Love?) on which 
            Johnny, Roy and David really go to town. 
          
This CD certainly doesn't show Johnny Griffin at his 
            best but it captures him clearly enjoying himself in a live setting, 
            where he was often happiest, and it makes a fitting, if poignant, 
            farewell to a great jazzman. 
          
  
            Tony Augarde