1. Strictly for
Kyx
2. Fair Diana
3. Quads Talk
4. Impromptu
5. Ultraviolet
6. Gibraltar Rocks
7. Good Life
8. Snow Face
9. Last Resort
10. Lazy
11. Eddie Blair’s Picnic
12. Piccadilly Jumps
13. Hampden Roars
14. Down South Blues
15. Thistle Swing
16. Headin' North
17. Tam o' Shanter
18. Double Scotch
19. Kiltie
20. Loch Ness Monster
21. Clachnacudan Local
This
album contains recordings made in 1956 and
1957 respectively and issued on LPs entitled
British Jazz and Swinging Scots.
They were the first albums that Johnny Keating
recorded as a bandleader. Keating is probably
best known for his work with the Ted Heath
orchestra - first as trombonist and then as
composer/arranger. The groups he assembled
for these two LPs included many of Ted Heath's
sidemen, such as Bobby Pratt, Don Lusher,
Johnny Hawksworth and Ronnie Verrell.
The
LP British Jazz used a big band playing
compositions by Keating, Bill Le Sage and
others, while Swinging Scots (tracks
13-21) was recorded by a big band and
various smaller groups, featuring seven tunes
by Keating and two by trumpeter Jimmy Deuchar.
Johnny Keating wrote all the arrangements,
and the big-band tracks are in the familiar
style which uses the sections (saxes, trumpets,
trombones) playing in blocks of harmony, instead
of breaking up the sections as bandleaders
like Duke Ellington and Gil Evans had shown
was possible.
Despite
some imaginative arranging touches and the
impressive cohesion of the ensembles, this
means that the most interesting parts of many
tracks are the solos from the starry line-up
of Britain's finest jazz musicians. Tenorist
Don Rendell is heard to advantage on the first
two tracks. Quads Talk features the
four trombones of Don Lusher, George Chisholm,
Maurice Pratt and Keith Christie. Bill Le
Sage solos on vibes in Johnny Hawksworth's
Impromptu and on piano in his own compositions
Good Life and Snow Face. Eddie
Blair contributes a bluesy trumpet solo to
his eponymous Eddie Blair's Picnic.
Most of the solos are short, because this
was still an era when producers habitually
thought in terms of the three-minute single,
and the tracks on British Jazz all
hover around that length.
The
sounds on Swinging Scots are more varied
because of the four different sizes of group,
and the tracks are longer, giving the players
more room to stretch out. This LP was a tribute
to Scottish musicians by Johnny Keating (born
in Edinburgh in 1927) and the all-Scottish
line-ups include such notables as Tommy McQuater,
Duncan Campbell and George Chisholm. Only
tracks 13, 14 and 21 are by a 19-piece big
band. The smaller group sessions contain notable
solos from baritone saxist Ronnie Ross and
tenorists Tommy Whittle and Duncan Lamont.
At
its recommended price of £7.99, this CD is
a very worthwhile reissue, especially for
its portrayal of British jazz in the mid-fifties.
And the result of this needle match is: Britain
1, Scotland 2.
Tony
Augarde