Beale St Blues
Memphis Blues
Up A Lazy River
Stan’s Dance
Serenade In Blue
Soft Winds
On The Sunny Side Of The Street
Lester Leaps In
On The Alamo
Exactly Like You
My Blue Heaven; Fidgety Feet
Alex Welsh and his Band Alex Welsh (tpt),
Roy Crimmins (tbn), Al Gay (reeds), Bert Murray
(pno), Tony Pitt (gtr), Bill Reid (bass) Lennie
Hastings (dms)
rec. Dancing Slipper, Nottingham, 1963
Any new Welsh Band material
is good news in my book and this proves to
be no exception. The material derives from
the vast collection of material recorded by
Alan Gilmour at that famed locale, the hard-to-find
Dancing Slipper in Nottingham. It was taped
in 1963 and features an unusual, little known
line up of the band given that the pianist
is Bert Murray, who recorded seldom with the
group. Fred Hunt was temporarily absent.
The Welsh-Crimmins front
line was augmented by Al Gay, who proves a
versatile, articulate reedsman from the outset,
with a good clarinet solo on Beale Street
Blues. Crimmins follows with a typically
suave statement with Lennie Hastings driving
the band in exemplary fashion - and I’ve always
agreed with sleeve note writer Ralph Laing
that the Welsh band rhythm section was just
about the best in the business in its field.
I didn’t detect any Hastings "oo-yahs" however.
Gay’s influences included
Hawkins on tenor and he pays oblique tonal
homage on Memphis Blues where Welsh
shows some Buck Clayton inspired work. The
leader sings, Armstrong-style, on Up A
lazy River where Crimmins ventures some
wa-wa ‘bone and by Stan’s Dance the
band is cooking nicely – note Murray’s good
solo here. Gay stretches out on Soft Winds,
swinging with verve strongly aided by that
crisp, tight and propulsive rhythm section;
a good arrangement sees a trombone-and-percussion
passage. Gay takes the soprano saxophone honours
on On The Sunny Side Of The Street
ensuring variety in the front line whilst
Welsh takes amongst his best solos on Fidgety
Feet where Hastings lays down an insistent
beat.
Good arrangements, one or
two surprising song selections and a rare
band line-up are the principal features of
this latest outing from Lake. It’s a good
live session, enjoyable and entertaining.
Jonathan Woolf