1. Don’t Mess with Mr T. 
          2. A Little Sweetness 
          3. I Haven’t Got Anything Better to Do. 
          4. Impressions 
          5. Terrible T. 
          6. The Island 
          7. Touching 
          8. Side Steppin’ 
            
          Stanley Turrentine – Tenor sax 
          Kenny Drew Jr. - Piano, B3 organ, keyboards 
          
          Dave Stryker - Guitar 
          Dwayne Dolphin – Bass (acoustic and electric) 
          
          Mark Johnson - Drums 
          Alfredo Mojica – Percussion (tracks 2, 6) 
         
        
Stanley Turrentine was a 
          ‘monster’ tenor player with a fantastic sound, 
          a magnificent technique and a great jazz feel. 
          On this album he is backed by a superb rhythm, 
          that matches the mood both of the piece and 
          of Turrentine perfectly. Whether it’s the 
          gentle ballad style of I Haven’t Got Anything 
          Better to Do or the funky Don’t Mess 
          with Mr T, they get it just right.  
        
John Coltrane is not my bag, 
          but Stanley’s interpretation of his Impressions 
          piece is impressive, Dave Stryker’s guitar 
          work on this track is also superb, as is the 
          playing of Kenny Drew Jr. on keyboards. The 
          difference between the composer’s version 
          and the Turrentine version is that with the 
          latter you always know where he is in the 
          piece. I also much prefer Turrentine’s sound 
          on the instrument.  
        
Stanley Turrentine also had 
          a hand in three of the compositions, all of 
          which bear his mark; they are tracks 2, 5 
          & 7. The other tunes come from a wide 
          range of composers. 
        
Marvin Gaye wrote Don’t 
          Mess with Mr T and Side Steppin' 
          was written by guitarist Dave  Stryker.  
        
This was an outstanding album 
          when it was first released by MusicMasters 
          in 1995 and it is still right up there with 
          the best today. I recommend it to any jazz 
          fan who likes to hear a real tenor saxophone 
          tone over a wide range of musical styles.  
        
Don Mather