RECORDING 
          OF THE MONTH
        
 
          CD 1 
          The Soprano Summit 
          1. Swing Parade 
          2. The Mooche 
          3. Oh Sister, Ain't That Hot 
          4. Steal Away 
          5. Linger Awhile 
          6. Panama 
          7. Song of Songs 
          8. Swing Thirty-Nine 
          9. Egyptian Fantasy 
          10. The Fish Vendor 
          Kenny Davern - Clarinet, soprano sax 
          Bob Wilber - Clarinet, soprano sax 
          Marty Grosz - Guitar, banjo 
          George Duvivier - Bass 
          Connie Kay - Drums 
          CD 2 
          The Soprano Summit 
          1. Kansas City Stomp 
          2. Original Jelly Roll Blues 
          3. Froggie Moore 
          4. Shreveport Stomp 
          5. Sidewalk Blues 
          Kenny Davern - Clarinet, soprano sax 
          Bob Wilber - Clarinet, soprano sax 
          Marty Grosz - Guitar 
          George Duvivier - Bass 
          Connie Kay - Drums 
          Dick Hyman - Piano 
          The Blue Three 
          6. C. C. Rider 
          7. Fidgety Feet 
          8. Sweet Substitute 
          9. Shim-me-sha Wabble 
          Kenny Davern - Clarinet 
          Dick Wellstood - Piano 
          Bob Rosengarden - Drums 
          The Ruby Braff/Bob Wilber Session 
          10. Sugar 
          11. When You're Smiling 
          12. These Foolish Things 
          13. All of Me 
          14. Fine and Mellow 
          Ruby Braff - Cornet 
          Bob Wilber - Clarinet, soprano sax 
          Wayne Wright - Guitar 
          George Duvivier - Bass 
          Fred Stoll - Drums 
        
 
        
When Bob Wilber appeared 
          at the Swinging Jazz Party in Blackpool last 
          year, he told the audience that he and the 
          late Kenny Davern had the idea for Soprano 
          Summit at a 1972 jazz party in Colorado Springs, 
          where he and Kenny decided to enliven things 
          by both playing soprano saxes. In fact the 
          leaders of the group often played clarinets 
          as well as soprano saxes, but it was the double 
          sopranos which gave the band its special sound. 
          The group was probably modelled on earlier 
          sessions by Sidney Bechet and Mezz Mezzrow, 
          who specialised in duetting on soprano sax 
          and clarinet.
        
 
        
Soprano 
          Summit lasted for much of the 1970s, and this 
          album is a real find. It is taken from a previously 
          unreleased set of live recordings formerly 
          owned by the New Jersey Jazz Society, which 
          gave the tapes to the Institute of Jazz Studies. 
          The "And more..." in the album title seems 
          like an understatement, as there is a great 
          deal more. This double CD contains not only 
          ten tracks recorded at a 1975 concert, but 
          also five more from a tribute concert to Jelly 
          Roll Morton (with Dick Hyman added), four 
          by a trio led by Davern in 1979, and five 
          by a 1976 quintet where cornettist Ruby Braff 
          joined Bob Wilber in the front line. 
        
 
        
Fans 
          of Soprano Summit will obviously rush out 
          to buy this album, but so should anyone who 
          enjoys good jazz, well played. Wilber and 
          Davern are/were masters of their instruments, 
          and they are well served by the respective 
          rhythm sections - especially Marty Grosz strumming 
          guitar and banjo, and bassist George Duvivier 
          supplying a solid foundation. Although the 
          bands play many venerable numbers, there is 
          nothing stodgy or dated in their delivery. 
          
        
 
        
It 
          is difficult to pick out highlights, as every 
          track has particular delights. Shreveport 
          Stomp includes adroit clarinet from Bob 
          Wilber. The trio tracks on the second CD allow 
          us to hear Kenny Davern's brilliant clarinet 
          clearly, backed simply by piano and drums. 
          And Ruby Braff's cornet shines on the last 
          five tracks: playing the lead and soloing 
          with mellow assurance, and combining in sympathetic 
          harmony with Wilber. Just savour Braff's poetic 
          reading of These Foolish Things. 
        
 
        
If 
          I have one slight caveat, it is to echo Kenny 
          Davern's jokey remark: "There's nothing worse 
          than a soprano saxophone, unless it's two 
          of them". Two sopranos playing together can 
          occasionally sound shrill, although both players 
          are such consummate musicians that most listeners 
          can ignore this. The recording quality is 
          surprisingly good for these old tapes, which 
          have been sensitively restored by Doug Pomeroy. 
          So, what are you waiting for? Buy or order 
          it now. 
        
Tony Augarde