1. St. Louis Blues
2. Brother Ray
3. I'm Gonna Move to the Outskirts of Town
4. Basin Street Blues
5. Stoney Lonesome
6. I Believe To My Soul
7. What Will I Tell My Heart?
8. Please Send Me Someone to Love
9. I've Got News for You
David Sanborn - Alto sax
Christian McBride - Bass
Steve Gadd - Drums
Russell Malone - Guitar
Derek Trucks - Guitar (track 2)
Eric Clapton - Vocals, guitar (track 3)
Joss Stone - Vocals (track 6)
Sam Moore - Vocals (track 9)
Gil Goldstein - Fender Rhodes, Wurlitzer electric
piano, Hammond B3 (tracks 1-4, 6, 8)
Ricky Peterson - Hammond B3 (tracks 2, 6,
8, 9)
Howard Johnson - Baritone sax
Charles Pillow - Bass clarinet (tracks 1-4,
6, 9)
John Moses - Bass clarinet (tracks 5, 7, 8)
Mike Davis - Tenor trombone
Lou Marini - Tenor sax
Keyon Harrold - Trumpet
Lew Soloff - Trumpet (tracks 1, 4, 6, 9)
Wallace Roney - Trumpet (track 1).
David Sanborn has sometimes
approached dangerously near to what is known
as "smooth jazz", yet I still love his mellow
sound on the alto sax. It may be smooth but
it can also be soulful and passionate. His
saxophone is particularly passionate on this
album, as he plays a lot of blues numbers,
and he shares some tracks with well-known
guest artists like Eric Clapton and Joss Stone.
The passion is accentuated because Sanborn
is not afraid to use a wide vibrato to add
to the expressiveness.
The guests add to the bluesy
expression - like Derek Trucks, whose slide
guitar brings a country feeling to Brother
Ray, and Joss Stone who is suitably soulful
in I Believe To My Soul, where Sanborn's
sax wails in sympathy with the heartfelt emotions
of the song. Wallace Roney's trumpet converses
eloquently with Sanborn's alto in the opening
track. And a powerful horn section augments
the sound on tracks like What Will I Tell
My Heart?
A highspot of the album is
I'm Gonna Move to the Outskirts of Town,
to which Eric Clapton lends his voice and
guitar. Here and on other tracks, the blues
element contradicts any idea that David Sanborn
is nothing more than "smooth jazz". In fact
he played rhythm-and-blues from an early age,
and worked with Albert King, Little Milton
and Paul Butterfield's Blues Band, so he is
no stranger to this sort of material. For
Sanborn, this is a happy return to the music
he grew up with.
Tony Augarde