CD1 
          Tracks 1-10: ‘Jimmy Giuffre’ 
          1. Four Brothers 
          2. Someone To Watch Over Me 
          3. Sultana 
          4. A Ring-Tail Monkey 
          5. Nutty Pine 
          6. Wrought Of Iron 
          7. Do It! 
          8. All For You 
          9. Iranic 
          10. I Only Have Eyes For You 
          Tracks 12-20: ‘Tangents In Jazz’ 
          11. Scintilla I 
          12. Finger Snapper 
          13. Lazy Tones 
          14. Scintilla II 
          15. Chirpin’ Time 
          16. This Is My Beloved 
          17. The Leprechaun 
          18. Scintilla III 
          19. Rhetoric 
          20. Scintilla IV 
          Tracks 21-22: Bonus Tracks from‘The Sound 
          Of Jazz’ 
          21. The Train And The River 
          22. Blues 
          CD2 
          Tracks 1-9: ‘The Jimmy Giuffre 3’ 
          1. Gotta Dance 
          2. Two Kinds Of Blues 
          3. The Song Is You 
          4. Crazy She Calls Me 
          5. Voodoo 
          6. My All 
          7. That’s The Way It Is 
          8. Crawdad Suite 
          9. The Train And The River 
          Tracks 10-13: ‘Historic Jazz Concert At Music 
          Inn’ 
          10. Blues In E-Flat 
          11. In A Mellotone 
          12. The Quiet Time 
          13. Body And Soul 
        
 
        
  
        
In pop music there are plenty 
          of "one-hit wonders" - and the same phenomenon 
          occurs occasionally in jazz (as with Humphrey 
          Lyttelton''s Bad Penny Blues). Jimmy 
          Giuffre never got a recording into the pop 
          charts but, if you mention his name to the 
          average jazz fan, they would almost certainly 
          recognise him as the man behind The Train 
          and the River. The tune played by Giuffre's 
          trio was one of the outstanding features of 
          the famous 1959 film jazz on a Summer's 
          Day - perhaps because it captured the 
          relaxed, cool atmosphere of the Newport Jazz 
          Festival and also because it is one of the 
          catchiest themes in jazz music. 
        
 
        
The tune crops up twice on 
          this compilation: once from the 1957 TV programme 
          "The Sound of Jazz" and again from the preceding 
          year's album The Jimmy Giuffre Three 
          (although sadly not the film soundtrack version). 
          It deserves two hearings, as it is one of 
          the classic "railway" compositions, a genre 
          which also includes such tunes as Duke Ellington's 
          Midnight Express and Happy-Go-Lucky 
          Local. 
        
 
        
Of course, there is much 
          more to Jimmy Giuffre than this one composition, 
          although its tranquil approach is typical 
          of much of Giuffre's work. Admittedly he worked 
          for the extrovert Woody Herman Band but his 
          best-known composition for that ensemble - 
          Four Brothers - demonstrates the subtlety 
          that imbued much of his music. In fact he 
          seemed absolutely at home with the cool West 
          Coast scene. Despite some occasional jazzy 
          outbursts, he almost made understatement a 
          way of life. 
        
 
        
As the title of this double 
          CD implies, it comprises four whole LPs from 
          the mid-fifties, with a couple of bonus tracks 
          (21 and 22 on the first CD) from the aforementioned 
          TV programme. Whether playing clarinet, tenor 
          sax or baritone sax, Giuffre seldom overdid 
          things, preferring a calmly economical approach 
          which did good by stealth instead of shouting 
          its qualities from the rooftops. 
        
 
        
The first three LPs were 
          all by small groups playing what might best 
          be described as chamber jazz. The first CD 
          displays a persistent interest in subtle counterpoint 
          - mostly between Jimmy and trumpeters Jack 
          Sheldon or Shorty Rogers. And several tracks 
          - like A Ring-Tail Monkey - have the 
          same folky quality that distinguished The 
          Train and the River. The trio tracks sound 
          particularly slimmed-down, as guitarist Jim 
          Hall often stops playing during Jimmy Giuffre's 
          solos, leaving him accompanied only by bassist 
          Ralph Pena. 
        
 
        
The final LP - Historic 
          Jazz Concert at Music Inn - is the odd-one-out, 
          capturing a 1956 concert which brought together 
          a deliberately diverse range of jazz musicians 
          playing four long tracks. Blues in E flat 
          puts Giuffre alongside fellow-clarinettist 
          Pee Wee Russell; In a Mellotone has 
          him on tenor sax with cornettist Rex Stewart 
          (a great contrast between styles!); and The 
          Quiet Time puts him with vibraphonist 
          Teddy Charles. Giuffre is not even on the 
          closing Body and Soul, which features 
          flautist Herbie Mann. 
        
 
        
Once again, the Avid label 
          has put together an intriguing package at 
          bargain price, which is worth anyone's money. 
          But more than that, this collection reminds 
          us of Jimmy Giuffre's importance as a jazz 
          musician - an importance which might be overlooked 
          because of the reticence and subtlety of much 
          of his playing. 
        
 
          Tony Augarde