This DVD may be confusing 
          as, according to the sleeve-note, Cab Calloway 
          made two films called Hi-De-Ho. This 
          one is the later film, from 1947, when the 
          band included such artists as saxists Hilton 
          Jefferson and Sam "The Man" Taylor, as well 
          as long-term Calloway bassist Milt Hinton. 
          The film includes numerous shots of Cab's 
          band, although - as in most films of the period 
          - it looks as if they are doing a lot of miming.
        
        The film is a game of two 
          halves. The first part has what the sleeve-note 
          calls a "tissue-thin plot" concerning Calloway's 
          disgruntled girlfriend and the competition 
          between two clubs to feature Cab's band. This 
          ends in an unconvincing shoot-out, in which 
          Calloway's girl is killed. The action is not 
          noted for political correctness, as there 
          are scenes of men (including Cab) hitting 
          women and treating them without respect.
        
        After this flimsy story, 
          the action switches without explanation to 
          a New York club where the band leads a variety 
          show which includes singers and dancers, as 
          well as several band numbers. The value of 
          these is mainly in showing what a dynamic 
          performer Calloway was: singing, dancing and 
          scatting (whence his nickname of "The Hi-De-Ho 
          Man"). He throws himself into every song with 
          gusto and conducts the band with a baton so 
          long that it looks as if he may poke somebody 
          in the eye. He also overacts shamelessly in 
          performing St James Infirmary but its 
          very liveliness makes this one of the highspots 
          of the film.
        
        Jazz fans may enjoy watching 
          Cab in action and they may even spot some 
          famous faces in the band, since the Calloway 
          organisation was famous for nurturing the 
          careers of many jazzmen. But musically the 
          film is unsatisfying because of the obvious 
          miming. It is primarily interesting in illustrating 
          why Cab Calloway's band was so popular - because 
          of the brilliance of some of its arrangements 
          and soloists, and because its leader was a 
          first-class entertainer.
        Tony Augarde