1. Something Special 
          2. Ultimate Tribute 
          3. Fantastic Things 
          4. The Storyteller 
          5. Facing It 
          6. Rise & Shine (Cry of Triumph) 
          7. The Forgotten Man 
          8. Out of the Blue 
          9. Switch Up! 
          1. Like You Didn't Know 
          11. Are You Sitting Comfortably? 
          12. Everything Will Flip 
            
          Harry Beckett - Trumpet 
          Carlton "Bubblers" Ogilvie - Piano, organ, 
          bass, vocals, programming beats 
          Dave "Flash" Wright - Sax, flute 
          Jazzwad, Paget King - Drum programme, bass, 
          piano 
          Skip McDonald - Guitar 
          Orphy Robinson - Vibes 
          Junior Delgado - Vocals 
          Louie Beckett - Sound effects, additional 
          production 
          Alan Glen - Mouth organ 
          Deji Bakari - Steel pan 
          Nick Coplowe , Doug Wimbish - Bass 
        
  
        
  
        
Earlier this year, my review 
          of Graham Collier's Down Another Road 
          on this website probably made it clear that 
          I admire trumpeter Harry Beckett. His new 
          album puts him in an unusual context. Producer 
          Adrian Sherwood supplies a background of programmed 
          electronic rhythm, dub, reggae and vocals, 
          over which Beckett improvises. The mix is 
          intriguing, although jazz devotees will find 
          that the jazz element is often outweighed 
          by the other elements - especially the militantly 
          repetitive beats, which conflict with jazz 
          flexibility. As a result, Harry is left to 
          rhapsodise sparingly above an over-busy accompaniment 
          which hinders him rather than helping - and 
          often takes over completely. 
        
 
        
As Harry Beckett has West 
          Indian roots (he was born in Barbados), you 
          might have expected the mix with reggae and 
          dub elements to work better but they actually 
          conflict with hearing Beckett meaningfully. 
          This isn't so much a Harry Beckett album as 
          an Adrian Sherwood production with Harry as 
          a mere ingredient in a complicated mix aimed 
          at the dance-floor instead of the jazz listener. 
          As Mitsuru Ogawa's (misprinted) sleeve-notes 
          frankly say: "It isn't jazz". 
        
Tony Augarde