1. Movin' Up 
          2. So in Love 
          3. Zip-a-Dee-Doo-Dah's Got Rhythm 
          4. I've Grown Accustomed to Her Face/ Norwegian 
          Wood 
          5. True Love 
          6. It Was a Very Good Year 
          7. Love Walked In 
          8. Summertime 
          9. The Touch of Your Lips 
          10. Get Out of Town
          11. The Aba Daba Honeymoon  
            
        
Joe Ascione - Drums, djembe 
          drum, shakers 
        
Allan Vache - Clarinet 
        
John Cocuzzi - Piano, vibes, 
          vocals 
        
Frank Tate - Bass 
            
          Drummers leading bands can sometimes show 
          off too much but Joe Ascione behaves modestly 
          as leader on this album (although his sleeve-notes 
          are less modest!). It is a good-natured session 
          by a quartet which often sounds larger: John 
          Cocuzzi's doubling on piano and vibes helps 
          this impression. He even contributes a passable 
          vocal to It Was a Very Good Year. 
          Most of the tunes are standards but the opening 
          title-track is a bluesy original by Ascione, 
          which lays out the style for the rest of the 
          CD: easygoing mainstream swing without pretensions. 
          This doesn't mean that there are no surprises. 
          Zip-a-Dee-Doo-Dah Got Rhythm is an 
          arrangement by Ascione that blends two tunes 
          together, with the stimulus of Joe's experienced 
          brushwork. And I've Grown Accustomed to 
          Her Face unexpectedly segues into the 
          Beatles' Norwegian Wood as though the 
          two tunes were always meant to be a pair (after 
          all, they are both waltzes). Allan Vache's 
          clarinet is particularly touching here, and 
          Joe Cocuzzi's piano makes the transition seamless. 
        
Cole Porter's True Love 
          (from the film High Society) has 
          a tasteful Latin-American beat, as does Summertime, 
          whose rhythm is described in Joe's sleeve-notes 
          as the Afro-Cuban nanigo. For contrast, The 
          Aba Daba Honeymoon is performed with more 
          than a hint of New Orleans rhythm. This is 
          not an epoch-making album, nor does it do 
          anything startling, but it makes 55 minutes 
          of very agreeable listening. 
        
Tony Augarde