1.
April in Paris
2.
Billie-Doo
3.
If I Love Again
4.
If Someone Had Told Me
5.
Thedia
6.
I’ve Got a Crush on You
7.
Something to Remember You By
Thad
Jones – Trumpet
Billy
Mitchell – Tenor sax (tracks 1-6)
Barry
Harris – Piano (tracks 1-6)
Percy
Heath – Bass (tracks 1-6)
Max
Roach – Drums (tracks 1-6)
Kenny
Burrell – Guitar (track 7)
Thad
Jones was a man of many parts: trumpeter,
cornetist, flugelhorn player, composer, arranger
and bandleader. He is probably best known
for his work as a member of Count Basie’s
band and then as co-leader of the Thad Jones/Mel
Lewis Orchestra. But this album presents him
as leader of a small group, recorded in 1956
(while he was with Basie) and now remastered
by Rudy Van Gelder.
His
many other roles may have tended to obscure
Thad’s abilities as a soloist, especially
as his compositions have become so widely
used by rehearsal bands. Yet this album allows
us to enjoy his attractive tone and inventive
improvising. His solo on the opening April
in Paris echoes the start of that classic
trumpet solo in Count Basie’s version of the
same tune but continues with fresh melodic
ideas. His own composition Billie-Doo
contains a similarly mellow solo, followed
by some eloquent tenor-sax from Billy Mitchell
(who was later to join Thad Jones in the Basie
band).
If
I Love Again gives solo space to pianist
Barry Harris, whose clear-lined statement
is followed by warm-toned tenor from Mitchell
and what sounds as if it might be cornet rather
than trumpet from Jones. Max Roach plays a
fairly subdued drum solo. If Someone Had
Told Me is a tender ballad, with Thad
again sounding smooth enough to be on cornet
– foreshadowing his flugelhorn playing with
the Thad Jones/Mel Lewis Orchestra.
Thedia,
another Jones original, is in the bebop
idiom and it allows all the musicians to stretch
out in a performance that lasts more than
ten minutes. The CD ends with two tracks that
were not on the original LP. The Gershwin
brothers’ lovely I’ve Got a Crush on You
lets Thad Jones and Barry Harris rhapsodise
sensitively, while Something to Remember
You By is a duet for Thad and guitarist
Kenny Burrell – another exercise in sensitivity.
There
is nothing earth-shaking about this album
but it reminds us that Thad Jones was a considerable
soloist, even though his brilliance in other
spheres may have overshadowed this talent.
Tony
Augarde