1. Airbop
2. Choose Your Life
3. Shelter Island
4. What We Miss
5. My Shining Hour
6. 2-Bros
7. One Dollar and 20 Cents
8. The Others
9. The Man on the Moon
Ada Rovatti – Tenor and soprano saxes
Dave Kikoski – Piano
Ed Howard – Double bass
Ben Perowski – Drums
Adam Rogers – Guitar (tracks 1 and 3)
Randy Brecker – Trumpet and flugelhorn (tracks
2, 3, 4, 6)
Don Alias – Percussion (tracks 3 and 6)
Bob Mintzer – Bass clarinet (track 6)
Jill McCarron – Piano (track 7)
Saxophonist
Ada Rovatti comes from Italy but is now based
in New York and is married to trumpeter Randy
Brecker. Her music is enigmatic – difficult
to pin down – but that is part of its fascination.
Themes come and go, tempos shift, and instruments
float in and out of the mix. Even the one
jazz standard on the album – Harold Arlen’s
My Shining Hour – sounds different
from usual in Ada Rovatti’s arrangement. She
alludes to the melody rather than stating
it outright, and pianist Dave Kikoski follows
her allusive trail.
All
the other compositions are by Rovatti and
they continually surprise the listener. The
title-track starts as if the tempo is four-four
but then changes course before switching into
jazz-rock, which veers in and out of six-eight
(I think!). Shelter Island has a pulse
that seems to sway to and fro. And I still
can’t work out the time signature of 2-Bros
which has an extraordinary structure, although
Rovatti and guests Randy Brecker and Bob Mintzer
(the latter on bass clarinet) seem able to
cope with it confidently.
All
the musicians acquit themselves well, with
Rovatti’s tenor coming through powerfully
on One Dollar and 20 Cents. In the
ballad What We Miss, her saxophone
blends beautifully with Brecker’s trumpet,
and she displays an eloquent ability to convey
emotion. Ada is heard mainly on tenor sax
but The Others shows that she is equally
at home on the soprano.
The
album was recorded in December 2004 but only
seems to have reached these shores recently.
Better late than never, as it may introduce
listeners to a major talent in Ada Rovatti
– and make them await her next album with
anticipation, as I do.
Tony Augarde