- Lover
- Be Anything, but Be Mine
- I’m Glad There is You
- Just One of Those Things
- Watermelon Weather (with Bing Crosby)
- Sans Souci
- I Hear Music Now
- Where Can I Go Without You
- I’ve got You Under My Skin
- Black Coffee
- I Didn’t Know What Time it Was
- Easy Living
- Love Me or Leave Me
- A Woman Alone with the Blues
- My Heart Belongs to Daddy
- Baubles, Bangles and Beads
- Johnny Guitar
- Autumn in Rome
- Love, You Didn’t do Right by Me
- The Gypsy with Fire in His Shoes
- It Must Be So (with the Mills Brothers)
- Bella Notte
- The Siamese Cat Song
- He’s a Tramp
- I Don’t want to Play in Your Yard
- The Golden Wedding Ring
- What Can I Say After I Say I’m Sorry
- He Needs Me.
Peggy Lee was one of the
really great female vocalists, in a group
that included Ella Fitzgerald, Sarah Vaughan
and a very few more. It is interesting to
note that all these super stars learned their
craft singing with the Big Bands of the day,
in Peggy Lee’s case in was the Benny Goodman
Band school of hard knocks! These bands had
all the best musicians and they would not
accept vocalists who were not up to the same
standard.
Most of this album is of
really good songs sung either with large orchestras
or small group jazz outfits and they sound
as fresh as the day they were recorded. The
only exceptions are a few novelty tracks,
that no doubt the A&R men of the day persuaded
her to record, with a view to a ’hit’ record.
The best tracks as far as
I am concerned are those recorded with a quartet
consisting of Pete Condoli - trumpet, Jimmy
Rowles - piano, Max Wayne - bass, Ed Shaghnessy
- drums. Fortunately there are quite a few
of them (9 to 15), this formula allows Peggy
to demonstrate the full range of her vocal
abilities, but throughout the album she demonstrates
perfect diction, intonation and a wonderful
sense of timing. She even turns some numbers
that are not particularly good into something
special.
If you are not fortunate
enough to own a Peggy Lee, get this one. They
are not producing singers of this quality
any more and even if they did, today’s music
business is not geared up to appreciate them.
Don Mather
see
also review by Tony Augarde