1. Bouncing Back
2. Ostrich Walk
3. Look at ‘em Doing It
4. Little Rock Getaway
5. Temptation Blues
6. Panama
7. I Wanna Be Like You
8. Since My Best Gal Turned Me Down
9. Meander in the Minor
10. Honky Tonk Train Blues
11. Birth of the Blues
12. There’ll Be Some Changes Made
13. Dixieland Shuffle
14. Tiger Rag
15. On the Alamo
16. Muskrat Ramble
17. Apex Blues
18. Milneburg Joys
Harry Gold – Tenor and bass saxes
Nick Stevenson – Trumpet
Ron Findon – Clarinet, tenor sax and vocals
(tracks1-14)
Randy Colville – Clarinet (tracks 15-18)
Derek Wadsworth – Trombone
Austin Malcolm – Piano (tracks 1-14)
Jack Honeybourne – Piano (tracks 15-18)
Gerry Ingram – Bass
Stan Daly – Drums (tracks 1-14)
Mickey Brooks – Drums (tracks 15-18))
Harry
Gold died last November [2005] aged 98 but
he was still touring in his nineties and was
a part of the British jazz scene for many
decades. This album was first released as
an LP in 1989, and the CD is filled out with
three extra tracks recorded in 1991.
Harry
Gold originally formed the Pieces of Eight
as a "band within a band" when he
was playing for Oscar Rabin’s dance band in
the late 1930s. They played as a separate
unit from the mid-forties on and off until
the 1990s. Their style was Dixieland jazz,
with tight arrangements reminding me of the
Sid Phillips’ band, which played a similar
kind of energetic jazz, mainly performing
good old tunes like Muskrat Ramble
and Tiger Rag.
The
inclusion on this album of the Original Dixieland
Jazz Band’s Ostrich Walk and Look
at ‘em Doing It reminds us that Harry
saw the ODJB live when they came to the Hammersmith
Palais in 1919. Their vigorous playing inspired
him, as later did American saxophonist Adrian
Rollini, who sold Harry the bass saxophone
that became the Gold standard. Harry’s diminutive
stature made an interesting contrast with
the huge, cumbersome instrument he made his
own. He can be heard soloing on such tracks
as Bouncing Back and Meander in
the Minor (his own compositions) but he
generally takes a back seat behind fine players
like clarinettist Nick Stevenson and trombonist
Derek Wadsworth. Harry’s arrangements give
shape to the music, and this album makes a
fitting tribute to a British jazz legend.
Tony Augarde