CD1
1. A String of Pearls
2. The One I Love (Belongs to Somebody Else)
3. Song Of The Volga Boatmen
4. Pennsylvania 6-5000
5. Sun Valley Jump
6. You Stepped Out Of A Dream
7. I Dreamt I Dwelt In Harlem
8. Anvil Chorus
9. Perfidia
10. Don’t Sit Under The Apple Tree
11. Moonlight Serenade
12. I’ve Got A Gal In Kalamazoo
13. Skylark
14. That Old Black Magic
15. The Story Of A Starry Night
16. Here We Go Again
17. Serenade In Blue
18. American Patrol
19. At Last
20. Elmer’s Tune
21. Over The Rainbow
22. The Lady’s In Love With You
23. Ding Dong! The Witch Is Dead
24. Say "Si Si"
CD2
1. Bugle Call Rag
2. Little Brown Jug
3. Chattanooga Choo Choo
4. I’m Old Fashioned
5. In The Mood
6. Tuxedo Junction
7. And The Angels Sing
8. I Know Why
9. It Happened In Sun Valley
10. St. Louis Blues
11. My Buddy
12. Everybody Loves My Baby
13. Poinciana
14. Stompin’ At The Savoy
15. Guns In The Sky
16. The Red Cavalry March
17. Jeep Jockey Jump
18. Star Dust
19. Mission To Moscow
20. Stormy Weather
21. Swing Low Sweet Chariot
22. Holiday For Strings
I’m
glad this collection opens with A String
of Pearls and not Moonlight Serenade,
because it quells the notion that Glenn Miller’s
music was simply slushy. Much of it was, admittedly,
slushy but the opening track proves that Miller’s
orchestra also played with a spring in its
step. Indeed, tracks like Bugle Call Rag
present the band as an extrovert and determinedly
swinging ensemble, with some very wild drumming.
This
two-CD set illustrates the various sides of
the Miller band. Unlike another Avid compilation
I reviewed recently, it justifies its title
by including most of the numbers that Miller
is best-known for, including not only Moonlight
Serenade but also Pennsylvania 6-5000,
Little Brown Jug, In the Mood and Tuxedo
Junction. There are also the expected
features for Tex Beneke and the Modernaires,
including the classic Chattanooga Choo-Choo.
Personally I could do without such items as
Guns in the Sky (a paean of praise
to air-gunners) but songs like It Happened
in Sun Valley have an ingenious appeal.
And it’s good to hear the original Miller
sound instead of the numerous pale imitations
still making the rounds.
The
playing time is generous (more than 156 minutes),
the recorded sound is fine, and the only drawback
is the lack of recording dates and personnel
details.
Tony Augarde