Disc One
1.: Jungle Nights In Harlem
2.: Jungle Blues
3.: Ring Dem Bells
4.: Mood Indigo (Dreamy Blues)
5.: Rockin' In Rhythm
6.: Creole Rhapsody
7.: Echoes Of The Jungle
8.: It Don't Mean A Thing If It Ain't
Got That Swing
9.: Lazy Rhapsody (Swannee River Rhapsody)
10.: Blue Harlem
11.: Swampy River
12.: Blue Ramble
13.: Lightnin'
14.: Sophisticated Lady
15.: Drop Me Off At Harlem
16.: Bundle Of Blues (Dragon Blues)
17.: Harlem Speaks
18.: Dear Old Southland
19.: Daybreak Express
20.: Stompy Jones
21.: Solitude
22.: Saddest Tale
23.: Merry Go Round (Harlem Rhythm)
Disc Two
1.: In A Sentimental Mood
2.: Showboat Shuffle
3.: Reminiscing In Tempo
4.: Oh Babe Maybe Someday
5.: Clarinet Lament (Barney's Concerto)
6.: Echoes Of Harlem (Cootie's Concerto)
7.: Trumpet In Spades (Rex's Concerto)
8.: Yearning For Love (Lawrence's Concerto)
9.: In A Jam
10.: Uptown Downbeat (Blackout
11.: Caravan
12.: Diminuendo And Crescendo In Blue
13.: Harmony In Harlem
14.: Ridin' On A Blue Note
15.: Gal From Joe's
16.: I Let A Song Go Out Of My Heart
17.: Rose Of The Rio Grande
18.: Prelude To A Kiss
19.: Battle Of Swing (Le Jazz Hot)
20.: Blue Light (Transblucency)
21.: Grievin'
Those who’ve been lending
an ear to Living Era’s Ellington series
thus far will know how industrious this
outfit has been. They’ve already released
The Duke Steps Out, a compilation
of recordings from the 1920s, and Stomp,
Look and Listen which includes tracks
from the 1940s – thus including the
Blanton sides inter alia. Now they release
this twofer of sides made between 1930
and 1939 and they thus complete a run
of recordings.
The compilation has
been done with considerable care. I
commend the Living Era team for this.
Vic Bellerby and Ray Crick have the
knack of coming up with canonic but
also slightly lesser known things. I
also greatly like the way they have
programmed the four "concerti"
Ellington wrote for eminent sidemen.
They run consecutively though they were
actually recorded on two separate days
– the Barney Bigard and Cootie Williams
concertos were recorded in February
1936 and those for Rex Stewart and Lawrence
Brown followed in July of the same year.
Imaginatively we can now listen to them
one after the other.
I should also commend
the team for full discographic information,
which includes matrix, release and dating
information as well as details as to
which player solos on which number.
As ever I wish Living Era would discontinue
its reliance on the discredited "Top
Hit" information which they have
garnered form a book on which no one
should rely. I also don’t want to pit
one wing of this company against another
but Living Era’s Classical wing would
do well to listen to these transfers.
Charlie Crump has done an excellent
job. There’s definition, clarity and
depth here. Running A/B tests against
a number of LP and CD transfers one
can hear a far greater bass definition
here and a greater immediacy. There’s
a touch of surface noise – but then
there should be.
A splendid restoration
job, then, on these Brunswicks, Columbias,
Victors and Orioles.
Jonathan Woolf
CD Reviews
LIVING ERACD AJS 2015 [76:27 + 75:19]
