My Melancholy Baby (1950) [3.24] with
Charlie Parker and his Orchestra
Relaxin’ With Lee (1950) [2’46"]
with Charlie Parker and his Orchestra
Four in One (1951) [3’27"] with
the Thelonius Monk Quintet
Criss Cross (1951 [2’55] with the Thelonius
Monk Quintet
Eronel (1951) [3’01"] with the
Thelonius Monk Quintet
Straight No Chaser (1951) [2’54"]
with the Thelonius Monk Quintet
Ask Me Now (1951) [3.11] with the Thelonius
Monk Trio
Willow Weep For Me (1951) [2’57"]
with the Thelonius Monk Quartet
Skippy (1952) [2’58"] with the
Thelonius Monk Sextet
Hornin’ In (1952) [3.12] with the Thelonius
Monk Sextet
Carolina Moon (1952) [3’25"] with
the Thelonius Monk Sextet
Let’s Cool One (1952) [3’45"]
with the Thelonius Monk Sextet
Little Rootie Tootie (1952) [3.04]
with the Thelonius Monk Trio
Sweet and Lovely (1952) [3’32"]
with the Thelonius Monk Trio
Bye-Ya (1952) [2’44"] with the
Thelonius Monk Trio
Monk’s Dream (1952) [3.04] with the
Thelonius Monk Trio
Trinkle, Trinkle (1952) [2’46"]
with the Thelonius Monk Trio
These Foolish Things (1952) [2’44"]
with the Thelonius Monk Trio
Reflections (1952) [2.44] with the
Thelonius Monk Trio
Bemsha Swing (1952) [3’06"] with
the Thelonius Monk Trio
Thelonious Monk (piano) with the following
personnel: Tracks 1 & 2 – Dizzy Gillespie,
trumpet; Charlie Parker, alto sax; Thelonious
Monk, piano; Curly Russell, bass; Buddy Rich,
drums
Tracks 3-7: Sahib Shibab, alto sax;
Milt Jackson, vibraphone; Thelonious Monk,
piano; Al McKibbon, bass; Art Blakey, drums
Tracks 8: Milt Jackson, vibraphone;
Thelonious Monk, piano; Al McKibbon, bass;
Art Blakey, drums
Tracks 9-12: Kenny Dorharn, trumpet;
Lou Donaldson, alto sax; Lucky Thompson, tenor
sax; Thelonious Monk, piano; Nelson Boyd,
bass; Max Roach, drums.
Tracks 13-16: Thelonious Monk, piano;
Gary Mapp, bass; Art Blakey, drums
Tracks 17-20: Thelonious Monk, piano;
Gary Mapp, bass; Max Roach, drums
More classic recordings in
ADD sound from Naxos Jazz Legends, and this
time the recordings are all taken from tape
recordings so the sound quality is clearer
and more immediate than some of the 78-based
records which have been issued in the past.
Volume One of Thelonius Monk (Naxos 8.120588)
issued previously, is a good example of such
a disc. For this one he is accompanied by
a range of artists, most of whom could justify
their own issue in this series.
There is some superb jazz
being played here and Monk’s ability to improvise
at length is displayed to good effect. This
is a real foot-tapping disc, and is recommended
as an adjunct to the earlier release.
His fellow artists make this
disc of more general interest than it would
otherwise have been. For example, there is
real interplay between the various guests,
notable examples being Milt Jackson on vibraphone,
Dizzy Gillespie on trumpet and Buddy Rich
on drums.
Monk had a chequered career,
and didn’t get his real recognition as a genius
of the keyboard until the late 1950s. These
recordings come from before that time, and
so the collector can listen to these tracks
and hear superb artistry, clearly evident
here before Monk became a household word for
Jazz fans.
Naxos are to be congratulated
for producing such an outstanding disc, in
excellent sound for the period, at such a
give-away price.
John Phillips