- Rockin’ In Rhythm
- Azure
- Keepin’ Out of Mischief Now
- Ah Moore
- I Can’t Kick
- Rockin' Chair
- Song for Ellen
- Jitterbug Waltz
- The Duke
- Jo-Wes
- Ain’t Misbehavin’
Joe Pass – Guitar
John Pisano – Guitar
Tom Ranier – Piano
Jim Hughart – Bass
Colin Bailey – Drums
Tom Ranier – Clarinet (2), Tenor (5), Soprano
(6)
This is tremendous music
to listen to, none of the musicians has anything
to prove, and they are doing what they do
best and doing it better than most other people.
This album was recorded in 1993, a year before
Joe Pass died. His guitar playing along with
that of Barney Kessel, Wes Montgomery and
earlier Charlie Christian has always been
a thing of great joy. These guys understood
the framework and chords of a tune thoroughly
which made it possible for them to make everything
they played so interesting and beautiful.
There is nothing ugly here. When you compare
these performances to those of the next generation
of guitarists, it convinces me that jazz has
to some extent lost its way somewhere.
In the sleeve note Joe is
quoted as follows;
"The composers from
Tin Pan Alley had to work at their craft and
learn to write melody and harmony. There was
a little more effort put into writing a song.
Today it’s not like that. Guys write tunes
every second. They do whole albums of original
music and you don’t remember one of the tunes."
Joe how right you were when
you said those words!
The record has Joe playing
at his very best, supported by a superb rhythm
section and some nice reed work from Tom Ranier
on 3 tracks. The programme selection is also
excellent, with tunes from The Duke, Fats
Waller, Al Cohn, Hoagy Carmichael and Dave
Brubeck and musicians of this quality; no
album could fail to be interesting. To be
fair there are also some compositions from
members of the band, Joe’s solo on his solo
Song for Ellen, Tom Ranier’s composition,
I Can’t Kick and John Pisano’s tribute to
Wes Montgomery, Jo-Wes. They are however in
the context of an album of songs from master
craftsmen and therefore have their place.
John Pisano is given the
status of ‘rhythm guitar on the sleeve note,
but he is a lot more than that on the record,
often playing counter melodies and harmonies
as Joe weaves his magic. There are no Fuzz
Boxes or weird sounds of any sort, just really
enjoyable and sometimes unpredictable improvisations
beautifully played.
I was pleased to see that
Dave Brubeck’s composition, ‘The Duke ‘had
been included, is now in the library of many
world-class players. Dave has a number of
compositions worthy of any album.
Jim Hughart plays nice clean
uncluttered bass lines throughout and Tom
Ranier and Colin Bailey are perfect in their
support of the exquisite artistry of Joe.
There is just over an hour’s
worth of undiluted pleasure here for anyone
who likes their jazz musical, full of interest
and played by one of the all time jazz guitar
giants.
Don Mather