- Smoke ‘Em Up
- Things Ain’t What They used to Be
- Misty
- This Masquerade
- And That’s Why It’s Called the Blues
- St Louis Blues
- Wave
- Waltz Rubiot
- Hey Jim
- What’s New
- Sugar
- Hot Rod
Terry Gibbs – Vibraphone
Joey DeFrancesco – Hammond B3
Eric Alexander – Tenor
Dan Faehnle – Guitar
Gerry Gibbs – Drums
Ray Armando – Congas
This album is the real deal
as far as jazz is concerned, octagerian Terry
Gibbs put together a band of people he wanted
to play with, some of whom he had never met
and went off down to the studio! His choice
of partners is immaculate, Eric Alexander
is one of my all time favourite tenor players
and Joey DeFrancesco on Hammond B3 organ,
has the same joy in playing which the leader
has exhibited in his 60 year long career in
jazz.
Terry Gibbs has done it all,
from being a star of the Woody Herman Band
to being MD of the Steve Allen show. Throughout
his career he has brought great joy to audiences
around the world, even Benny Goodman, who
reportedly was never entirely satisfied with
anyone, found him an ideal replacement for
Lionel Hampton! There can be no higher praise!
From a personal point of
view, I have little time for so called jazzmen
who are only capable of performing in a very
narrow sector of the music. Eric Alexander
is a player who is happy in any kind of company;
his playing never sounds out of place. Dave
O’Higgins is a similar British tenor player,
I would love to hear them play together!
Thankfully Joey DeFrancesco
uses the power of the Hammond B3 intelligently,
that is to say, he doesn’t use it to swamp
out his colleagues.
Smoke ‘Em Up starts things
off at a bright tempo, this 24 bars is an
original composition of the leader. The Duke’s
Things Ain’t what They Used to Be takes us
into the blues, but this time in the 12 bar
format. Misty is taken at a bright tempo and
really swings along. The solos throughout
are of the best, as you would expect from
musicians of this standard. This Masquerade
written by Leon Russell and made famous by
George Benson, it was also a minor hit for
The Carpenters, this version is given an up-tempo
Latin feel and it works very well. Wave is
also taken at a faster tempo than usual and
St Louis Blues is a different version from
anything I have heard before.
Waltz Rubiot is a blues in
¾ time, another Gibbs original as are Hey
Jim and Hot Rod. Sugar is a Stanley Turrentine
tune and as you would expect has a feature
for Eric Alexander. Dan Faehnle on guitar,
who I have not mentioned so far, fits the
group perfectly, he is a fine soloist and
the exchanges that he has with Eric Alexander
on Waltz Rubiot are very well constructed.
Throughout the album Terry
Gibbs demonstrates that even at 80, he has
lost none of his ability to swing and play
interesting melodic lines in his solos. Eric
Alexander impresses on every track; he has
taken into his playing what has gone before
and distilled from it a unique style, which
makes him the complete player. He really takes
off on Hot Rod, great sound, fantastic technique!
For that matter so do the rest of the ensemble,
a real flag waver!
This CD was a joy to listen
to and a pleasure to review, if you like your
jazz to swing in the way that only the top
jazz musicians can, then this is for you…….it’s
certainly for me!
Don Mather