- Miss Annabelle Lee
- Chicago
- Runnin’ Wild
- Liebestraum No.3
- Mystery Pacific
- In a Sentimental Mood
- The Sheik of Araby
- Improvisation
- Parfum
- I’ve Found a New Baby
- St Louis Blues
- Bouncin’ Around
- Minor Swing
- Viper’s Drag
- Swingin’ with Django
- Paramount Stomp
- My Serenade
- Interpretation Swing sur la premier mouvement
du Concert en re mineur de J S Bach
- Improvisation sur le premier mouvement
du Concerto en re mineur de J S Bach
- Fiddle’s Blues
Tracks 1 to 7
Stephane Grappelli – violin
Reinhardt - solo guitar
Pierre Ferret, Marcel Bianchi – rhythm guitars
Louis Vola – bass
Tracks 8,9
Reinhardt – solo guitar
Track 10
Reinhardt – guitar
Stephane Grappelli – violin
Tracks 11,12
Reinhardt, Louis Gaste – guitars
Eugene d’Hellemmes – bass
Tracks 13,14,17
Grappelli - violin
Django Reinhardt, Joseph Reinhardt, Eugene
Vees – guitars
Louis Vola – bass
Tracks 15,16
Grappelli, Michel Warlop – violin
Django & Joseph Reinhardt, Eugene Vees
– guitars
Louis Vola –bass
Tracks 18,19
Eddie South, Grappelli – violin
Reinhardt – Guitar
Tracks 20
South, Grappelli – violin
Reinhardt – guitar
Paul Cordonnier – bass
All the tracks on this CD
were recorded in 1937, but due to the skill
of the NAXOS team in enhancing the sound,
you would have thought they were more recent
recordings. The line of the Quintette Du Hot
Club De France was dictated by the fact that
the electric guitar had not been invented
at this time and the instruments chosen did
not swamp the superb guitar playing of Django
Reinhardt. Django was a significant contributor
to jazz and the band that Stephane led to
his much later end, was always similar to
the 1937 band, save for the inclusion of the
electric guitar.
When these tracks were recorded
Grappelli was 27 and Reinhardt 29, but they
were both fully developed as stylists, Reinhardt
died in 1953, but Grappelli carried on the
tradition until 1997, by which time he was
90 years of age.
As well as the usual Hot
Club sounds, this record contains some virtuoso
solo performances by Reinhardt, as well three
tracks with US jazz violinist Eddie South
and two with another French violinist, Michel
Warlop. Joseph Reinhardt also plays guitar
on some tracks and I have no idea who he was,
hopefully a reader will be able to tell me.
Michel Warlop has a lighter sound than Grappelli,
but Eddie Smith and Grappelli are similar
in both tone and approach, the Improvisation
being the loser and more interesting of the
two J S Bach tracks.
Once again NAXOS have preserved
for posterity an interesting year in the development
of jazz, more particularly acoustic jazz.
Don Mather