DISC 1
- A Smooth One - Benny Goodman
- Body & Soul - Coleman Hawkins
- I’ll Never Be the Same - Billie Holiday/Teddy
Wison
- Moonglow - Django Reinhardt & Stephane
Grappelli
- Blue & Sentimental - Count Basie
- Begin the Beguine - Artie Shaw
- Deep in a Dream - Connee Boswell/Woody
Herman
- The man I Love - Benny Goodman
- Stardust - Glenn Miller
- You Go to My Head - Billie Holiday
- A Ghost of a Chance - Cab Calloway
- Mood Indigo - Duke Ellington/Ivie Anderson
- Blues in Thirds - Sidney Bechet
- Nuages - Django Reinhardt
- It’s Only a Paper Moon - John Kirby
- Passion Flower - Johnny Hodges
- Out of Nowhere - Lena Horne/Teddy Wilson
- Willow, Weep for Me - Cab Calloway/Hinton
Jefferson
- My Old Flame - Peggy Lee/Benny Goodman
- I can’t Get Started - Lester Young/Nat
Cole Trio
- I Got It Bad - Duke Ellington/Ivie Anderson
- Sweet & Lovely - Flip Phillips
- Skylark – Billy Eckstine/Earl Hines
Like most compilations this
one is good in parts, but unlike many others,
this one is good in most parts. It also contains
some interesting musical curiosities like
the first track by Benny Goodman, where he
only gets a short solo and Cootie Williams,
Georgie Auld and Charlie Christian play the
main solos. It is still a very good track
however. Coleman Hawkins rendition of Body
and Soul is always worth listening to, what
a musical giant he was!
Billie Holiday crops up a
couple of times on Disc 1 and gives a couple
of classic renderings in her unique style,
similarly Reinhardt and Grappelli are as appealing
as ever. The Basie Band weigh in with Blue
& Sentimental with the theme statement
played by Hershel Evans, who possessed such
a wonderful big saxophone sound.
There are classic Big Band
renderings of Begin the Beguine (Artie Shaw),
Stardust (Glenn Miller), Mood Indigo and I
Got it Bad (Duke Ellington), Lester Young
is heard on Clarinet and Tenor on the Basie
track
There is a classic compilation
oddity in that the excellent Chu Berry is
listed as soloist on Ghost of a Chance, but
he is not listed in the personnel, there is
no doubt however that Chu is the soloist on
this excellent track. Goodman is extensively
featured on the Quartet version of The Man
I Love as are Lionel Hampton and Teddy Wilson,
the latter appears on a number of the tracks
and when listening to his immaculate playing
it is easy to see why he was in such demand.
It was nice to hear a track
from the John Kirby Band, who were purveyors
of neatly played society jazz, the Charlie
Shavers trumpet work is particularly impressive.
Johnny Hodges is heard on Passion Flower a
Strayhorn composition, with a small group
from the Ellington Band, with the Duke himself
on piano. Star vocalists come to the fore
in the latter tracks, at the time these recordings
were made however they had not achieved star
status, they were just band vocalists, but
it is easy to hear why Lena Horne, Peggy Lee
and Billie Eckstine had star potential. Hilton
Jefferson plays a fine solo on Willow Weep
for Me with the Cab Calloway Orchestra.
There is an absolute gem
on I Can’t Get Started, the combination of
Lester Young and Nat Cole with bassist Red
Callender is delightful. There is also a superb
Sweet and Lovely by the very underrated Flip
Phillips. Side 1 concludes with a very fine
rendition of the great Hoagy Carmichael tune
Skylark, by Billy Eckstine with a very fine
Earl Hines Band.
DISK 2
- Sophisticated Lady – Duke Ellington
- Lover Man – Sarah Vaughan/ Dizzy Gillespie
- I Don’t Know Why – Don Byas
- Sweet Lorraine – Frank Sinatra/Metronome
All Stars
- Just One More Chance – Lucky Thompson
- Robbins’ Nest – Claude Thornhill
- Embraceable You – Charlie Parker
- September Song – Sarah Vaughan/Teddy Wilson
- Midnight Sun – Lionel Hampton
- No Moon at All – Nat Cole
- April in Paris – Coleman Hawkins
- September Song – George Shearing
- One For My Baby – Sinatra/Axel Stordahl
- There’s a Small Hotel – Stan Getz
- But Not for Me – Ella Fitzgerald
- Bernie’s Tune
- Don’t Blame Me – Charlie Parker
- Any Time, Any Day, Anywhere - Lee Wiley/Joe
Dushkin
- Yesterdays – Stan Getz
- Taking a Chance on Love – Billy Eckstine/George
Shearing
- Laura – Nat Cole
- Moonlight in Vermont – Johnny Smith/Stan
Getz
- My Funny Valentine – Gerry Mulligan
- Harlem Nocturne – Woody Herman
- Dream a Little Dream of Me – Ella Fitzgerald/Louis
Armstrong/ Sy Oliver
I found DISC 1 very enjoyable,
but DISC 2 is even better, it is mixture of
some very familiar tracks, like the tracks
by Gerry Mulligan and Stan Getz, which are
great favourites of mine and some less familiar
but equally good music. The tracks by Don
Byas and Lucky Thompson demonstrate just what
underrated giants of the Tenor Saxophone they
were. In today’s jazz world nearly everyone
sounds like a John Coltrane clone, which is
such a great pity when there has been such
a diversification of great players in the
past. Another favourite of mine is Hamp’s
Midnight Sun, which is also included here
and the young Sinatra on Sweet Lorraine is
in excellent voice. There are also splendid
tracks from Sarah Vaughan and Ella Fitzgerald
and Nat Cole; the excellent George Shearing
Quintet from 1949 with Marjorie Hyams on vibes
is also featured. Coleman Hawkins version
of April in Paris is a classic track; there
are also further classics from the legendary
Charlie Parker.
I can remember buying the
Johnny Smith/ Stan Getz, Moonlight in Vermont
track in the 1950’s and marveling at the beauty
of what I was hearing. Similarly the Mulligan/Baker
My Funny Valentine and everyone at that time
was dazzled by the technical excellence and
unique tone of Stan Getz, heard here on Small
hotel and Yesterdays.
Whether Sinatra’s One For
My Baby track is jazz, is a point of conjecture,
but that it is a classic of popular music
can not be disputed. Lady Fitz is heard on
two tracks one with pianist Ellis Larkins
and the other with Louis Armstrong and the
Sy Oliver Orchestra. Bobby Hackett is in fine
form on cornet on track 18 backing singer
Lee Wiley.
Lets have three cheers for
LIVING ERA and for Ray Crick who compiled
this album, it is quite the best jazz compilation
album I have listened to. An awful lot of
the other have made me doubt whether the person
responsible ever listened to some of the tracks!
Don Mather