For
some time Charlie ‘Bird’ Parker had
expressed an interest in playing with
a string section and that eventually
came to fruition between 1949 and 1952.
The ‘Bird With Strings’ sessions included
here turned out to be his most commercially
successful work. Some purists will claim,
as noted by Scott Yannow, that these
dates ‘were too restrictive and the
music somewhat conservative, emphasizing
swing standards rather than new bebop
originals.’ However, Parker enjoyed
these unique recordings which include
some of the best musicians around at
the time.
Besides
the ‘Charlie Parker With Strings’ sessions
Naxos have also included a track from
a ‘reunion session’ when Parker teams
up with Dizzy Gillespie, Thelonius Monk,
Buddy Rich and Curly Russell. Another
track is a similar reunion with Miles
Davis. Neither features a string section.
The
final four titles, recorded in 1952
by Charlie Parker and his Orchestra,
also feature strings but by then the
concept had run its course and Parker
was finding the setting rather confining.
These final dates find the orchestra
also augmented with flute, oboe and
harp.
Many
of the titles herein have become ‘classics,’
none more so than ‘Just Friends’
- ‘Bird’s improvisation is simply
stunning, creating some brilliant variations
and fresh ideas.’ That comment applies
to all the material. This is only a
small but vital component of the great
legacy that lives on highlighting just
how great an impact Parker had on the
development of jazz. As Brian Priestley
wrote, ‘No one individual apart from
Louis Armstrong has cast such a long
shadow over succeeding generations of
jazz musicians.’ How befitting those
words are!
‘Mellow
Bird’ is an excellent compilation and
warrants a place in any jazz collection
– thoroughly enjoyable and highly recommended.
Jack
Ashby