The thirteen 
            tracks on ‘Word of Mouth Revisited’ cover, as a tribute, much of Jaco 
            Pastorius’ prolific and diverse career that began in the 1970s, when 
            he made his solo debut, through to the late 80s. Along the way he 
            worked with Peter Graves, Pat Metheney, Joni Mitchell and Weather 
            Report and other well known names. A five-year stint with the Peter 
            Graves Orchestra gave him an opportunity to write, arrange and otherwise 
            expand the role and potential of the electric bass. As Christian McBride 
            says, ‘If you play the electric bass you have come through Jaco. He 
            made innovations on the instrument that had never been made before 
            him, if you want to make a true statement. Nobody has ever innovated 
            on that instrument like Jaco Pastorius.’
          		 Pastorius died 
            in September, 1987. ‘Word of Mouth Revisited,’ recorded earlier this 
            year is a tribute recorded to his legacy featuring the ‘re-christened’ 
            Jaco Pastorius Big Band. The fourteen-piece ensemble is under the 
            direction of Pastorius’ old friend Peter Graves and features guest 
            appearances by nine of the most talented electric bass players on 
            the contemporary jazz scene – Victor Bailey, Richard Bona, Jeff Carswell, 
            Jimmy Haslip, Christain McBride, Marcus Miller, David Pastorius, Gerald 
            Veasley and Victor Wooten. Pastorius is featured here on Herbie Hancock’s 
            ‘Wiggle Waggle’ – his bass part being extracted from a live concert 
            recorded several years ago. Other early recordings were also extracted 
            to make up the eight ‘Jaco Speaks’ tracks.
          	 The pre-release 
            publicity described this album as, ‘Inspired by the music and spirit 
            of Jaco Pastorius, ‘Word of Mouth Revisited’ is possibly the most 
            impressive line-up of bass virtuosity ever assembled to date.’ I certainly 
            agree and not only that the standard of the accompanying musicians 
            is of the highest calibre.
          Jack Ashby