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             FOOTSTEPS OF OUR FATHERS 
            Branford Marsalis Quartet 
            		  
               
              Marsalis 
              Music/Rounder 11661-33012 
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            Giggin’
            The Freedom Suite
            A Love Supreme
            Concorde
            Branford Marsalis – saxophonesJoey Calderazzo 
            – pianoEric Revis – bassJeff "Tain" 
            Watts – Drums.The Freedom Suite was written 
            by Sonny Rollins, it consists of four parts, 
            Movement I, Interlude, Movement II, Movement 
            III.A Love Supreme was written by John Coltrane 
            and is also in four parts, I Acknowledgement, 
            II Resolution, III Persuance, IV Psalm.The 
            first piece Giggin' is a composition of 
            Ornette Coleman, Branford is on soprano 
            for this first track and his performance 
            has elements of the quirkiness and humour 
            of the composer’s playing. I am not a great 
            fan of Coleman, but I did enjoy the quartet’s 
            version of this composition.The Freedom 
            Suite has Branford on tenor and he takes 
            the difficult task of re-working someone 
            else’s masterpiece in his stride. In his 
            playing you can here elements of all jazz’s 
            forefathers and not just the black one’s 
            the sleeve note would have you believe.He 
            has a superb tone and technique and execution 
            to deliver exactly what he has in mind. 
            He is well supported throughout by Eric 
            Revis on bass and Tai Watts on drums, who 
            provide backing which is exciting but not 
            overpowering.To someone like me, who feels 
            that John Coltrane did more harm than good 
            to the cause of jazz, listening to a different 
            version of Love Supreme was something of 
            a challenge. Whilst I like the way Branford 
            Marsalis plays much better than John Coltrane, 
            I just don’t like this piece, its ugly and 
            it is beyond my comprehension as to why 
            it is regarded as such an important work.Concorde, 
            composed by pianist John Lewis is different 
            again, the ugly sounds have gone and we 
            are back to music that has a melodic content 
            and is worthy of the quartet’s talents. 
            I prefer this piece to any other on the 
            album, it swings and we can hear one of 
            the world’s greatest tenor players, playing 
            his way through and around some interesting 
            changes. Don Mather
             
                
                
            
          
        
          
          
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