- All I Sing Is Blues
- Prisoner Of Love
- Intrigue
- I’m Out To Forget Tonight
- Somehow
- What’s My Name
- Body & Soul
- Jealousy
- Sitting By the Window
- My Foolish Heart
- Free
- I Apologise
- The Show Must Go On
- You’ve Got Me Crying Again
- Be My Love
- Only A Moment Ago
- I’m Crazy For You
- I’ve Never Been In Love Before
- I Guess I’ll Have To Dream the Rest
- Take Me Back
Billy Eckstine’s first claim to fame as a vocalist
occurred when he joined Earl Hines band in 1939. The band was breeding
ground for some of the most famous names in jazz, including Gillespie
and for a while Charlie Parker. Billy was also at that time quite
an accomplished musician, playing guitar, trumpet and trombone at
various times.
It was of course his superb abilities as a vocalist
that were his main attribute, he is instantly recognisable with a
full baritone voice and a vibrato that his impersonators always latched
on to.
The reason for his inclusion in the history of jazz
is the big band he started in 1944, although it didn’t make him rich,
it was the first real bebop big band and it nurtured the talents of
Gillespie and Charlie Parker as well as Gene Ammons, Art Blakey, Miles
Davies, Dexter Gordon, Fats Navarro and Lucky Thompson, as well as
vocalists Lena Horne and Sarah Vaughan. The band lasted for three
years before Billy realised that he could have a much more lucrative
career as a vocalist. Rumour has it that the band became the Dizzy
Gillespie Orchestra and another legend was born.
Billy went on to have many hit records, including
some very famous duets with Sarah Vaughan,. Many of his hits, though
not the duets are included on this record which is a good representation
of his work in the popular recording business. There are some very
famous orchestras and musical directors associated with the various
backing orchestras, but not only all do they all sound the same, they
all sound pretty dull as well. Perhaps ‘Mr B’ was such a huge personality
with such an enormous voice he swamped the talents he worked with.
For his many fans however this will be a welcome release. because
many of these tracks were only available on 78RPM records before and
Naxos have done their usual splendid job on the clean up
Don Mather