| 1
               | First Born-Michael Garrick Trio
               | 5
               | Down In the Village-Tubby Hayes Quintet 
               | 
            
              | 2
               | Jaipur- Joe Harriott & Amancio D’Silva Quartet
               | 6
               | Black Marigolds-Don Rendell/Ian Carr Quintet
               | 
            
              | 3
               | Cleopatra’s Needle-Ronnie Ross
               | 7
               | Lullaby for a Lonely Child-Graham Collier
               | 
            
              | 4
               | Rolli’s Tune-Harry Beckett
               | 8
               | Dusk Fire-Don Rendell/Ian Carr Quintet
               | 
          
          
           
          	Gilles Peterson of Worldwide BBC Radio 1 put 
            this compilation together and bearing in mind the recent resurgence 
            in British modern jazz of the 1960s and ’70s he couldn’t be on safer 
            ground.
          	On the eight tracks are featured some of the 
            finest musicians, either born or domiciled in Britain, who began making 
            a valuable contribution to jazz over fifty years ago – some are still 
            on the scene today. Others such as Joe Harriott and Tubby Hayes left 
            this mortal coil far too early. Each track has its merits and the 
            two reviewed here are not meant to be any measure of comparison with 
            the others.
          	Cleopatra’s Needle is the title track 
            from baritone saxophone player Ronnie Ross’ 1968 debut album. Of his 
            era Ross was without doubt one of the world’s top jazz musicians and 
            acclaimed by his peers especially in Britain and the United States 
            of America. On the original recording this number was described as 
            a ‘serious floor burner’ and also as an ‘old fashioned 20-bar blues.’ 
            The quality of Ross’ playing and that of Bill le Sage is superb.
          	In Tubby Hayes we also had a most astonishing 
            musician whether he was playing tenor saxophone, soprano saxophone, 
            vibes or flute. He was probably the finest jazz musician this country 
            produced. During his all too brief life he was equal in every respect 
            to any of America’s modern jazz musicians. The track Down In the 
            Village with Tubby playing vibes can be looked upon as a tribute 
            to the occasion when he first appeared in New York. The accompanying 
            musicians are Jimmy Deuchar – trumpet, Gordon Beck – piano, Freddy 
            Logan – bass and Alan Ganley – drums. This type of music never dates.
          	There are many recordings from this particular 
            era still to be re-released and if ‘Impressed’ is a foretaste of what 
            is to come then the sooner they appear the better. 
          
          Jack Ashby