- Comin’ Home Baby
- Cristo Redentor
- Harlem Nocturne
- Man From Mars
- Isn’t She Lovely
- Sugar
- Tequila
- Little Flower
- Spider b
- Delia
Steve Gadd – Drums
Christian McBride – Bass
Russell Malone – Guitar
Mike Maineri - Vibes
Don Alias – Percussion
Some tracks have backing vocals, some have strings and Randy Brecker
plays trumpet and flugel on Spider b
As preparation for this review, I read Mark Gilbert’s
entry in the very useful Roy Carr book ‘Jazz on CD’, but found it
hard to understand ‘prepostmodern’ speak leaves me cold. So I decided
to just listen to the music and say what I thought about it.
It is a well known fact that whilst most jazz musicians
struggle to make any sort of living, those who can keep a foot on
the ‘pop’ market as well can end up both richly rewarded and appreciated
by a much wider audience. David Sandborn is one of the well-educated
younger jazz folk who have managed their career very well; he is however
in his 50’s described as a ‘veteran’ by some people. He plays the
alto with much feeling and there is a nice ‘bluesy’ sound about everything
he plays, even when he is performing in the kind of music we mostly
hear from Jazz FM, there is still plenty of conviction about his playing.
Steve Gadd Christian McBride Russell Malone and Mike Mainieri are
an ideal foil for the leader, the seem to be able to anticipate his
every phrase and this total empathy in the group makes the various
tunes in the programme so attractive. Even the older tunes like Harlem
Nocturne and Isn’t She Lovely and Tequila take on a new shape in their
hands.
In the sleeve note David says that he has never only
listened to one kind of music and that to his mind, good music is
good music, whatever the genre. This resistance to typecasting also
makes good commercial sense because it gives you more options.
As you would expect from what has been written above
then the tune selection is eclectic, David composed Little Flower
and Delia, and he also jointly is credited with Spider b with Ricky
Peterson. Man From mars is a Joni Mitchell composition and tenor sax
player Stanley Turrentine wrote Sugar.
There is no doubt of the quality of musicianship
on this album, it is top-class throughout, for my taste however, I
wish it would just cut loose and swing occasionally as I’m sure these
guys are well capable of doing so. Many however will disagree and
overall the album has much to commend it.
Don Mather