- Clarinet Lament (Barney’s Concerto)
- Echoes of Harlem (Cootie’s Concerto)
- I Don’t Know Why I Love You So
- Kissin’ My Baby Goodnight
- Yearnin’ for Love (Lawrence’s Concerto)
- Trumpet in Spades (Rex’s Concerto)
- It was a sad Night in Harlem
- Exposition Swing
- Mood Indigo-Solitude
- Sophisticated Lady-In a Sentimental Mood
- The New Birmingham Breakdown
- Scattin’ At the Kit Kat
- I’ve Got to be a Rug Cutter
- The New East St Louis Toodle-O
- Caravan
- All God’s Chillun Got Rhythm
- Prologue to Black & tan Fantasy
- The New Black & Tan fantasy
- Diminuendo In Blue
- Crescendo In Blue
Nobody would deny that Duke Ellington was a seminal
figure in the development of both jazz and big bands. Himself an excellent
pianist, arranger and composer, he surrounded himself with the very
best musicians available, he paid them well and many stayed in his
band for long periods of time. He also allowed the soloists in his
time to have sufficient vehicles to express themselves and for their
own specialist talents to develop. In these recordings from the period
1936 to 1938 Cootie Williams, Rex Stewart, Barney Bigard, Johnny Hodges,
Harry Carney and Lawrence Brown are all heavily featured as well as
the Duke himself, who plays solo piano on tracks 9&10.
Once again Naxos have done a remarkable job on cleaning
up these recordings, the sound quality, as with all this series I
have heard to date, is quite acceptable.
The Ellington Band was going through a rapid period
of development in the period of these recordings. As well as a residence
at The Cotton Club, the band undertook some extensive tours of the
USA and the Duke realised that in order to make his band viable, he
had to tread that fine line between being musically successful and
at the same time appealing to the public. Several of the tracks here
made the top thirty and listening to them some sixty five years later,
there is no doubt that the Duke knew how to accomplish this musical
feat.
Many of the tunes are still played today and some
of those that are not heard today surely would be if suitable arrangements
were available for bands to play. Even Novelty Numbers like ‘I’ve
Got to a be Rug Cutter’ swing like mad and the vocal group led by
Ivy Anderson is great fun. The New East St. Louis Toodle-O follows
it, which is a classic Ellington track in a more serious vein.
The Duke of course made many different arrangements
of all his compositions and this constant up dating, often to accommodate
joining soloists kept the band sounding fresh. The Duke was also happy
to play other peoples tunes and the sprightly arrangement of Gus Kahn’s
‘All God’s Chillun’ proves the point admirably.
The last four tracks alone are worth the cost of
the whole CD, they are classic Ellington Band performances.
Naxos have done all jazz fans a great favour by putting
this music back on the market in a form which makes for very acceptable
listening. The Duke Ellington Band of this period really signposted
the way for every big band to follow.
Don Mather