- Mr Silver
 
            - My man’s Gone Now
 
            - T.N.K.
 
            - Naima
 
            - Speed Trap
 
            - Getting On
 
          
          
              
          Peter King – Alto, Soprano
            Gerard Presencer –Trumpet
            Steve Melling – Piano
            Alec Dankworth – Bass
            Steven Keoch – Drums
            Recorded Live at Ronnie Scott’s Club, London, September 1994.
              If Peter king had lived in the USA, he would 
                be an international jazz star, of that there can be no doubt and 
                when you listen to his performance here, surely the same can be 
                said of Gerard Presencer. Remarkably, Peter is self-taught. In 
                the sleeve note, there is a copy of a note he received in 1995 
                from Chan Parker, Charlie’s widow, who describes Peter as a ‘keeper 
                of the flame’ and expressing her admiration for his playing.
              
              Gerard Presencer suddenly appeared in the NYJO 
                band at the age of about sixteen, remarkably, he was at that young 
                age already the complete jazz trumpeter. Peter and Gerard had 
                worked together before in the Charlie Watts Quintet, which proved 
                such a success at the Blue Note Club in New York.
              
              The Rhythm section is made up of equally talented 
                musicians Steve Melling, Alec Dankworth and Steven Keoch, who 
                would be capable of working with anyone on the jazz scene anywhere.
              
              The musical selection is interesting with two 
                good original compositions from Peter, the title track Speed Trap, 
                as up-tempo as the name implies and Getting On, which has a slower 
                more funky feel. There is also the Gershwin standard My Man’s 
                Gone now, Naima from John Coltrane’s library, as well as the tribute 
                to Horace Silver in the opening track. T.N.K. has an unknown composer, 
                which is a shame as it’s a more than worthy composition.
              
              If you want a record to demonstrate that British 
                jazz musicians can compete on a world stage, here it is1
               
              Don Mather