- There’ll Never Be Another You
- Ow!
- Wave
- Cottontail
- In A Mellow Tone
- Willow Weep for Me
- ‘S Wonderful
- Centrepiece
          Harry "Sweets" Edison – Trumpet 
          Hendrik Meurkens – Vibes, Piano 
          Giorgio Crobu - Guitar 
          Kalli Gerhards – Bass 
          Torsten Zwingenberger – Drums 
          Recorded live on October 19th 1986 at the Quasimodo, Berlin 
          Harry "Sweets" Edison is one of those curious 
            figures in jazz that everyone knows by reputation, but few are aware 
            of his playing! He originally came to prominence in the Count Basie 
            band, where he developed the style of playing which he has used ever 
            since. He stayed with Basie from 1937 to 1950 and during that period 
            made the transition from section trumpet man to star soloist. He also 
            learned well the discipline of section playing and became one of the 
            most ‘in demand’ of studio session men in the USA, with all the demands 
            that that brings. Sweets can be heard in the backing orchestra of 
            many and he is on several of Frank Sinatra’s albums. It was not until 
            the 70’s that he returned to playing live sessions and touring and 
            his unique trumpet playing and engaging personality, made him popular 
            on the Jazz festival circuit. 
          
 
          
On this record he is heard playing with the band 
            of drummer Torsten Zwingenberger and everyone sounds like they are 
            having a ball. The music swings from start to finish. According to 
            the sleeve note, Jo Jones the Basie band drummer said " Jazz 
            has to swing, basically it is a very simple thing, but there are things 
            that cannot be described and never have been. Swing is one of them" 
            How right he was, surely all jazz must pass the swing test, if it 
            can’t do that, is it jazz? This record passes the swing test, Edison 
            is 70 years old, but he played for long after this. The supporting 
            group is younger, but very empathetic toward his style of playing; 
            they are also good musicians and work well, both as soloists and rhythm 
            section members 
            Nice straight-ahead swing, very relaxing and enjoyable. 
          
 Don Mather