- Babalú
- Jamay
- Anana Boroco
Tinde
- The Brand New
Cha Cha
- Cuca
- Bim Bam Bum
- A Bailar Merengue
- Coco Seco
- Suavecito
- Miami Beach
Rhumba
- Yo Quiero Un
Mambo
- Son Los Dandis
- Mambo Jambo
- Ritmo Tropical
- (The Chi Chi)
Cha Cha Cha
- Yo Ta Namora
- The Anything
Can Happen Mambo
- Mambo Gordo
- Bésame
Mucho
- Tumbao
- Bread, Love
And Cha Cha
- La Murcura
- Cuban Mambo
- Mondonguero
- Mondongo
- Who Me?
The recent widespread
interest in ballroom dancing has meant resurgence for one of its most
popular components – ‘Latin dance.’ Originally the music became popular
in the USA and Europe between the 1930s and mid-50s and then more
or less disappeared with the demise of the big bands. Tito Puente
was one exception and he continued to play Latin music but it soon
became more allied to what is termed ‘Latin jazz.’
In the post-war era the
one band whose name was on the top of the popularity list was Xavier
Cugat. His first break came in 1928 when his band was booked at the
New Coconut Grove in Los Angeles. This was followed by the band playing
a major part in the popularity of the rhumba – Cugat was ‘The Rhumba
King.’ After leading a number of groups another break came in the
1940s when Camel Cigarettes offered him the chance to make regular
broadcasts from the Waldorf-Astoria Hotel in New York City. The broadcasts
had a massive audience and soon recording dates and film contracts
followed – twenty-eight in all. That band was popularly know as the
‘The Camel Caravan.’
This CD follows Cugat’s
music through its important years when rhumbas, merengues, mambos
and cha cha chas were all the rage.
Jack Ashby