Kate Dimbelby - vocals & backing vocals 
            Steve Hamilton - acoustic piano/Rhodes piano/organ/synth 
            Mark Hodgson - acoustic & electric bass 
            Ian Thomas - drums/cymbals 
            Richard Niles - acoustic & classical guitar/backing vocals 
            Nigel Hitchcock - soprano/alto/tenor sax 
            Recorded 27 - 30 April 1998 London. 
            1. Good Vibrations 
            2. That's Cool 
            3. Almost Blue 
            4. Can't Get You Out Of My Mind 
            5. San Diego Serenade 
            6. I'm Gonna Leave You 
            7. Fever 
            8. River Man 
            9. I Don't Know Anything 
            10. I Can't Let Go Now 
          This release from 1998 contains a liner note written 
            by Marion Montgomery in which she states that "Kate Dimbleby certainly 
            gets under your skin." While this is undoubtedly true I would hazard 
            to guess that Ms Montgomery's interpretation of this feeling is somewhat 
            different to mine. Any singer who is bold enough to attempt an all-time 
            classic such as the title track has to be very convincing. I must 
            say, as an avid fan of the music of the great Brian Wilson, that Miss 
            Dimbleby would have been best advised to leave this number well alone. 
            Her reading is too clever, almost to the point of being twee and there 
            are some songs that really do not need " jazzing up ". 
          
 
          
The rest of this album is adequate with one or two 
            better moments, but the damage has already been done on the opener 
            - the lesser known tracks are often the better options, the Richard 
            Niles numbers are interesting and "Can't Get You Out Of My Mind" is 
            particularly pleasing. Any vocalist who attempts " Fever" is inviting 
            strong comparison, which brings me to the crux of the problem in that 
            the featured artist here is just not that good a singer. Her voice 
            is not strong or memorable and her intonation is often somewhat suspect. 
          
 
          
The accompanying players perform well as one would 
            expect from musicians of this calibre, and, as always, Nigel Hitchcock 
            contributes strongly throughout with his Brecker-ish saxophone sound. 
          
 
          
I could not honestly recommend this recording when 
            there are offerings available from such accomplished British singers 
            as Claire Martin and Clare Teal.
          
  Dick Stafford. 
          
See also a more affirmative review of Kate's Later 
            album Ain't This Cosy