Wayne Shorter - soprano & tenor saxophones; Joe Zawinul - electric 
            piano, melodica, tonto, ARP 2600, organ, muzthra, vocal, acoustic 
            piano, West Africk, xylophone, cymbals; Alphonso Johnson - electric 
            bass; Alyrio Lima - percussion; Ndugu - drums, tympani, marching percussion. 
            
            
            
            1. Man In The Green Shirt
            2. Lusitanos
            3. Between The Thighs
            4. Badia
            5. Freezing Fire
            6. Five Short Stories
            
            
            "Tail Spinnin' " has long been my all time favourite Weather 
            Report album. This might be due to the fact that it was the first 
            of their releases I ever bought, or it might equally be due to the 
            fact that this disc is packed with a variety of different styles, 
            all of which swing in their own fashion. The compositions of Joe Zawinul 
            and Wayne Shorter seemed to reach a new maturity and directness at 
            this time and the group is as tight as it ever was or, indeed, ever 
            became. 
          
            Shorter is to be heard mainly on soprano saxophone and he has by this 
            time reached a quite staccato mode of delivery in certain passages 
            ( "Man In The Green Shirt," " Between The Thighs" 
            ). His control of this most wayward of the saxophones is masterful 
            and his playing is replete with smears and other subtle tonal nuances.
            Zawinul performs on a whole arsenal of keyboards, synthesizers and 
            percussion, including some very tastefully mixed steel pans on "Between 
            The Thighs." At this point in his career his creativity seemed 
            to be driving him to constantly seek new and different combinations 
            of sound. His compositions range from the driving, almost frantic, 
            "Man In The Green Shirt", inspired by an old West Indian 
            man dancing, to the eastern sounding " Badia" with its alternate 
            meditative and swinging passages which feature an early use of the 
            hand-clap as rhythmic accompaniment.
            The drums and percussion of Ndugu and Lima are particularly effective 
            on this recording and the bass playing of Johnson is absolutely superb. 
            As I stated earlier, it is the group interaction that really makes 
            this session - it is a true example of the blend of the great talent 
            on display creating a much more fulfilling entity. Highly recommended. 
            
            
            
            Dick Stafford