- Beautiful Love
 
              - Suddenly
 
              - Giant Steps
 
              - Darn That Dream
 
              - Miss Bea
 
              - Bluesin’ with Bob
 
              - You Taught My Heart to Sing
 
              - Rhythm-N-Ning
 
              - Lady From Caracas
 
              - Monk’s dream
 
              - Rio
 
              - Naima
 
            
          
           
         
                This solo piano session kicks off with that lovely old tune 
                  Beautiful Love, the sleeve credits this to McCoy Tyner as composer. 
                  I am not too sure that Vincent Young, who wrote it, would be 
                  too happy about that! McCoy Tyner’s performance of the tune 
                  however I am sure he would be happy with, it is sublime.
                Suddenly really is a Tyner composition and demonstrates his 
                  ability as a composer, unfortunately my review copy had a fault 
                  on this track and so I only caught the theme. Tyner’s former 
                  boss, the late John Coltrane for whom he was in the piano chair 
                  for 6 years, wrote Giant Steps. During this period, Tyner will 
                  have become very familiar with this theme as it was always requested 
                  wherever ‘Trane’ played. This performance is sheer virtuosity 
                  as he dazzles us with tempo changes and a technique the equivalent 
                  of anyone in the business.
                Darn That Dream is a beautiful melody, in his performance of 
                  it, we can hear his influences Art Tatum, Monk, Bud Powell and 
                  even Oscar Peterson, all blend into the unique style that is 
                  McCoy Tyner.
                The next 3 tracks Miss Bea, Bluesin’ with Bob and You taught 
                  My Heart are all Tyner originals. I had to listen a few times 
                  to these tracks to understand what was happening, but found 
                  the exercise most rewarding. 
                
          There are two Monk compositions Rhythm-N-Ning and Monk’s Dream. On 
            the former, Tyner generates enormous swing in the way I have only 
            heard Oscar Peterson manage previously. The last track is another 
            Coltrane tune Naima. 
                I don’t know whether the audience was in a state of shock from 
                  the sheer brilliance of this performance, because the applause 
                  at the end was not as enthusiastic as could have been expected 
                  from such an outstanding performance.
                Congratulations to TDK for releasing it
                 
                Don Mather