Nnenna Freelon: vocals
            Gerry Niewood: flute, alto flute, soprano & tenor saxophones
            Ronnie Buttacavoli: trumpet
            Brandon McCune: piano, Hammond B-3 organ, Fender Rhodes piano
            Dave Samuels: vibraphone, marimba
            Chuck Loeb: electric & acoustic guitars
            Woody Williams: drums
            Bashiri Johnson: percussion
            Enrico Granafei: harmonica
            Jason Crosby: violin
            Andy Stein: violin
            
            Recorded January 2002 NYC
           
            1. Overjoyed
            2. Creepin'
            3. Lately
            4. Superstition
            5. The Tears Of A Clown
            6. Black Orchid
            7. My Cherie Amour
            8. Bird Of Beauty
            9. All In Love Is Fair
            10. Send One Your Love
            11. Another Star
            12. Until You Come Back To Me
            
            
            Nnenna Freelon is one of the rising stars amongst jazz vocalists ( 
            although she is now in her tenth year as a recording artist ) and 
            is beginning to feature more and more in various polls (she was recently 
            given quite a high ranking in the Downbeat Critics Poll ). This disc 
            is the follow-up to her Grammy nominated "Soulcall." As 
            the title suggests it is a concept album drawing from the compositions 
            of Stevie Wonder. The numbers selected are an interesting blend of 
            well and lesser-known. With a writer of the calibre of Wonder there 
            is no difference in quality, it is just a case of personal preference.
           For this session a most sympathetic group of musicians has been 
            assembled and the arrangements are carefully tailored to suit Miss 
            Freelon's voice and style of delivery. Her diction is very clear, 
            which is a real advantage when interpreting songs with such beautiful 
            and significant lyrics. Her tone is quite rounded but has a slight 
            edge to it which distinguishes it from many other contemporary vocalists. 
            Nnenna colours the lines but does not go for the excesses of some 
            Jazz and Soul singers and, in my opinion, she keeps the scatting to 
            a welcome minimum. 
           There are some outstanding performances from the accompanying players, 
            both solo and ensemble. Garry Niewood plays tellingly on his arsenal 
            of instruments, of particular note are his tenor solo on "Lately" 
            and his flute excursion on "Another Star". Jason Crosby 
            plays a fitting part on the violin on the wonderfully understated 
            version of "Tears Of A Clown", and there is a controlled 
            harmonica solo from Enrico Granafei on "Send One Your Love". 
            
            On listening to this disc it struck me that the music of Stevie Wonder 
            is the present day equivalent of the standard tune as written by Gershwin, 
            Porter, Berlin, Ellington, Rodgers etc. Unlike so many contemporary 
            songs, they are open to different interpretations and do not fail 
            if performed by someone other than the composer. At least two of the 
            selections here I first heard played by artists other than Wonder 
            ( "Tears Of A Clown" and "Until You Come Back To Me 
            "). There are many more fine versions by Jazz musicians of the 
            works of Stevie Wonder including a superb album by the saxophonist 
            Stanley Turrentine entitled "Wonderland". Nnenna Freelon's 
            record is a worthy addition to this body of work. 
            
            
            Dick Stafford