This new book is the work of John Chilton, who 
              already has books about Henry ‘Red’ Allen, Sidney Bechet and Coleman 
              Hawkins to his credit. Chilton himself a fine jazz trumpet player, 
              who is often heard with his band supporting vocalist George Melly, 
              is the ideal author for a work of this type. In my experience, it 
              is only someone who has experienced the jazz life, that has the 
              understanding to enable such a production. 
            
            Roy Eldridge was one of the true giants of jazz. 
              As a record reviewer, I have come across numerous dreary big band 
              recordings from the 30’s and 40’s, on which the only thing rewarding 
              to listen to, is some sparkling trumpet solos from ‘Little Jazz’. 
              Chilton has obviously put in a great deal of research before producing 
              the book, but the thing that is most important to me, is that he 
              knew this genius of the trumpet and equally importantly he knew 
              other people who were close to him. After reading the book you feel 
              like you knew Roy Eldridge and I can think of no greater tribute 
              to the author than that. I found it riveting reading and hard to 
              put down. A similar book I would normally read over the course of 
              a week, this one took just a day and a half! 
            
            Roy liked to play; he could not wait for the next 
              opportunity to do it. He developed his skill by solitary practice 
              and never turning down the opportunity to play, wherever and with 
              whomever the opportunity occurred. In today’s world that opportunity 
              doesn’t exist, the chances to ‘sit in’ or to play on a ‘jam session’ 
              are almost non-existent for the young musician.
            
            John Chilton has given this very detailed insight 
              into the world of Roy Eldridge, but he has done it with the respect 
              that such a great musician and entertainer deserves. Where there 
              was contention it is mentioned, but there is no attempt by the writer 
              to be judgmental, that is left to the reader. 
            
            The book is essential reading for anyone with a 
              real interest in jazz, or for that matter for anyone who would like 
              to get a real flavour of the life of one of the finest jazz musicians 
              the world has produced.
            Don Mather