BENNY GOODMAN
          SING ME A SWING SONG
          Swing Favourites 1935 - 1936
          Benny Goodman and His Orchestra with vocals by Helen Ward and Ella Fitzgerald
          
 NAXOS JAZZ LEGENDS 
          8.120548
        Crotchet 
            
        

        
          
          1. Blue Skies
          2. Dear Old Southland
          3. King Porter Stomp
          4. Ballad In Blue
          5. Christopher Columbus
          6. The Devil And The Deep Blue Sea
          7. Madhouse
          8. If I Could Be With You One Hour Tonight
          9. Stompin' At The Savoy
          10. There's A Small Hotel
          11. Swingtime In The Rockies
          12. Pick Yourself Up
          13. Always
          14. In A Sentimental Mood
          15. Sing Me A Swing Song
          16. Alexander's Ragtime Band
          17. St. Louis Blues
          18. Love Me Or Leave Me
          19. House Hop
          20. Goodnight, My Love
          
          
          This release documents the Goodman band from June 1935 when it was about 
          to embark on a nationwide tour, the outcome of which would establish 
          it as one of the most significant and popular groups of the time and 
          would herald the birth of the "Swing" era. At this point in 
          his career Benny Goodman had been in the music business for over ten 
          years, his first important job being with the Ben Pollack band in 1925 
          when he was sixteen years of age.
          By 1935 Goodman was a mature soloist and had certainly established himself 
          as one of the premier exponents of his chosen instrument. There has 
          never been any doubting Goodman's standing as an improvising jazz clarinettist 
          ( although some fans preferred the technical side of Artie Shaw's playing 
          ) and this ability is amply illustrated throughout these selections. 
          Much in evidence is his fluent legato style, clear yet powerful tone 
          and seemingly effortless control in all registers of the instrument. 
          His links to earlier players such as Jimmy Noone and the other New Orleans 
          clarinet players he had heard in Chicago in his youth are still clearly 
          audible.
          Some of the arrangements here are by the great Fletcher Henderson who 
          was drafted in by manager/promoter John Hammond to give the band a more 
          driving, positive style as opposed to the sweeter sounds favoured by 
          many of the white orchestras at this time. Notable amongst these are 
          " King Porter Stomp" and " Dear Old Southland " 
          which use devices such as call and response and polyphony which are 
          reminiscent of the smaller New Orleans/Chicago ensembles.The selections 
          on this disc would be quite representative of the band's repertoire 
          at the time, including arrangements on standards, swing type numbers 
          and vocal features. The singers here are the delightful Helen Ward and 
          Ella Fitzgerald ( " Goodnight My Love " - one of the outstanding 
          tracks on this compilation ).
          Goodman apart, the band boasted a roster of star, or soon to become 
          star players, including Ziggy Elman, Pee Wee Erwin and Bunny Berigan 
          on trumpets, Jack Teagarden on trombone, Toots Mondello and Vido Musso 
          on saxophones and a hard swinging rhythm section that had Jess Stacy 
          on piano and, the real driving force behind the band, Gene Krupa on 
          drums.
          All the selections are of a high quality in terms of performance and 
          content and this is a very good release whether it be for the Big Band 
          fan, the swing enthusiast or the newcomer to the music of Benny Goodman.
          
          Dick Stafford 
          
          D.S. is a professional reed player and teacher living in Coventry.