Charlie Haden - Nocturne
Gitanes
013611-2
Crotchet
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En la Orilla del Mundo (At the End of the World)
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Noche de Ronda (Night of Wandering)
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Nocturnal
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Moonlight (Claro de Luna)
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Yo sin Ti
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No Te Empenes Mas (Don't Try Anymore)
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Transparence
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El Ciego (The Blind)
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Nightfall
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Tres Palabres (Three Words)
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Contigo en la Distancia (With you in the Distance)/ En Nosotros
(In Us)
Charlie Haden - Bass Gonsalo Rualcaba - Piano Ignacio Berroa
- Drums Joe Lavano - Tenor 1,4,7,11 David Sanchez - Tenor 6,10
Pat Metheny - Guitar 2 Frederico Britos Ruiz - Violin 1,5,8
Produced by Charlie Haden
Charlie Haden came to prominence in Ornette Coleman's Band and he has continued
to be a conspicuous figure on his chosen instrument the double bass ever
since, playing with just about everyone of note in Contemporary Music. I
must confess to wondering whether I was the right reviewer for this disk,
but that was before I heard it! It really is some of the most pleasing and
melodic new music I have heard for some time.
Although none of the themes are familiar, each is a gem and worthy of careful
listening. Joe Lovano's Tenor Sax. playing is excellent, strangely enough
on this record he sounds very reminiscent of Stan Getz, from both a tonal
and phrasing pint of view, although it is not something I have noticed in
his playing before. He has always seemed more in the 'super contemporary
school' when I have heard him on previous occasions. I am thinking in particular
of an appearance with Paul Motian's Group at Birmingham, which I must confess
to neither understanding nor liking. His work here is of a quality that has
rarely been surpassed, managing to combine high quality melodic improvisation
with great freedom of expression. The violin playing of Fredricho Britos
Ruiz is also superb, the tone is 'Grappelli', but the improvisations are
in a much freer vein. Pat Metheny plays acoustic guitar on track 2, the wistful
Noche de Ronda, a classical Mexican Melody.
Apart from two compositions from Charlie Haden, the tunes are Cuban or Mexican
each one is relaxed and makes an ideal vehicle for improvisation. This record
however is not one in which the participants appear to be in competition,
it is quality music, very well played.
I am sure that this music has a much wider appeal than many might think I
certainly enjoyed it greatly and hope there is more to come.
Don Mather
Don Mather is a Saxophone Player and Bandleader in Coventry