A 235th GARLAND OF BRITISH LIGHT MUSIC COMPOSERS
        
        The compositional style of Paul Carr, born in 
          1961, is lyrical and readily assimilable and to a considerable extent 
          influenced by jazz, though he is very much an eclectic. Titles include 
          Girl on a Bench Under a Sunshade, for solo bassoon and orchestra 
          (inspired by a sketch by Alfred Munnings), and Occasional Postcards, 
          brief sketches also featuring solo instrument and orchestra.
        
        Michael McDermott, Warrant Officer Royal Marines, 
          is Staff Arranger to the Marines and also a composer. His arrangements 
          are legion, his compositions (cum-arrangements) include a suite Festival 
          of the Sea and Seafarers, both for military band.
        
        Greville (Vaughan Turner) Cooke (1894-1989) 
          started out as a pupil of Matthay at the Royal Academy but then became 
          a clergyman. Unsurprisingly much of his compositional output was for 
          the church, but he earns a Garland mention basically for a number of 
          his piano pieces, which have something in common with John Ireland’s 
          lighter miniatures: High Marley Rest, which is quite popular, 
          Halden Hills, La Petite (1940), Whispering Willows, Meadowsweet, 
          and Bargain Basement – the latter sounds almost like a "mood 
          Music" miniature for one of the recorded music libraries (but it 
          isn’t), while, as regards Meadowsweet, so many pieces called 
          after flowers imply a "light" composition – think of Billy 
          Mayerl! Also worth noting are Sea Croon (1953) for cello and 
          piano and a Prelude for string orchestra dating from 1940.
        
        There have been several Cooks (or Cookes) associated 
          with light music. There were Kenneth Cook, composer and editor 
          of brass music; John Cook, composer for TV (notably Oh! Mr 
          Porter in 1989) and for the stage. Peter Cook; Cecil Cook 
          and Arnold Cook who both wrote for the light musical stage; the 
          other, unrelated, Arnold Cooke (1906-), a pupil of Hindemith 
          and often "serious" in his output but comprising some lighter 
          instrumental pieces too; and Arthur Cook, composer of light orchestral 
          miniatures. Another such was Eric Cook, whose Polka Dot (1958) 
          is not to be comfused with Mark Lubbock’s similarly titled Polka 
          Dots, once very popular.
        
        Philip L Scowcroft
        
        November 2001
        
        
        
        
         
        
      
       Philip's book 'British Light Music Composers' (ISBN 0903413 88 4) is 
        currently out of print.