A 217th GARLAND OF BRITISH LIGHT MUSIC COMPOSERS
        To start with, we once again tap the musical theatre 
          of the late Victorian era. Frederick William Humphreys arranged 
          and composed the music for several pantomimes of the period, notably 
          Bluebeard, also songs such as Heigh Ho For Daffodil Time 
          and Early One Morning. Harry C Barry was an actor, but 
          he also wrote the music for the burlesques, Shylock, or The Venus 
          of Venice (1892) and Turpin à la Mode (1897), both 
          of them toured provincially. And musical director George Richardson 
          achieved some fame as a composer, especially with Popocatapetl 
          put on in 1874 as a forepiece to Lecocq’s La Fille de Mme Angot 
          in which he interpolated songs of his own. Richardson's Bluff King 
          Hal, King and Martyr (1877) was toured provincially.
        
        Two composers who are still alive are worth a brief 
          mention: Mike Batt for his popular songs including The Wombles 
          and Bright Eyes from the film Watership Down; and 
          Julian Jacobson (1947-), pianist and composer, classically trained 
          and having an interest in jazz, whose compositions include scores for 
          half-a-dozen films and the flute solo Waltz for Judy for Judith 
          Hall.
        
        And finally to the Australian composer and music publisher 
          Frederick Ellard, who was born in Dublin, the son of a music 
          publisher and who followed that trade when he emigrated to New South 
          Wales in the early 1840s. He was a prolific composer of light music: 
          The Australian Ladies (16 dances for piano solo); four sets of 
          dances entitled Ellard’s National Country Dances; Woodland 
          Call and, celebrating the journey from Sydney to Parramatta on New 
          South Wales’ first railway line, The Sidney Railroad Gallope (sic). 
          His brother William Ellard also sailed for Australia but drowned 
          en route, having already published The Australian Quadrilles. 
          How fascinating to know that Australia was producing dance music at 
          the same time as Jullien, Coote, the Godfreys and others whom the Garlands 
          have remembered, were doing so in England.
        
        Philip L Scowcroft 
        
        August 2001
        
        
        
        
        
        
       Philip's book 'British Light Music Composers' (ISBN 0903413 88 4) is 
        currently out of print.