This album is a compilation of music from three soundtrack releases, and
while generally I am in favour of recycling, in this case it rather makes
me want to rush out and buy two of the originals. I don't know if they are
still available, but if they are you may find this album ultimately functions
as an expensive advert.
First we have 18:13 minutes (the cover claims 17:34) from John Ford's last
film of note, Cheyenne Autumn (1964). I won't comment on the film,
as being a Super Panavision 70 epic which failed at the box-office, hardly
anyone can have had the opportunity to see the film properly in 35 years.
In his informative notes John Steven Lasher comments that John Ford hated
the score, adding that the director "knew absolutely nothing about the function
of original music in films", quoting Royal S. Brown to the effect
that the North's score "stands as the one jewel in the midst of the otherwise
incredibly mediocre canon of scores for John Ford films
" Well, there
is How Green was my Valley, The Quiet Man and The Searchers,
but these do seem to be the exceptions one might expect by the law of averages.
Lasher also mentions that the writing reflects "to some degree" Copland's
ballet scores, Billy the Kid and Rodeo, astutely asking "(What
Western film doesn't?). All I can add is that this is superb, first
rate scoring, coming at a particularly fertile period in North's career,
which is to say shortly after his wonderful Spartacus and
Cleopatra. The music has a pastoral warm, a tender lyricism and
contemplative character ably set against more dramatic passages featuring
expectant, questing brass and low-key, brooding textures. The stark percussive
rhythms of 'The Battle' are tellingly understated, and given the friendship
between the two composers, Jerry Goldsmith admirers may see an influence
on his powerful marital music for The Blue Max and the savage sound
world of Planet of the Apes. The sound is very clear and precise,
though a little dry and restricted in range.
Next comes 20:09 minutes (the cover says 21:35) from Dragonslayer
(1981), an under-rated fantasy adventure which fell into the trap of being
too dark for children and too light for the Excalibur audience to
fully embrace. This is complex, dark-hued, sometimes atonal writing of
considerable density. The score worked brilliantly with the film, conjuring
a world of bleak and austere beauty, and stands up very well on disc. The
more lyrical parts of the music were drawn from North's rejected score for
2001: A Space Odyssey and appear here as 'Ulrich Explodes; Verminthrax's
Plunge' and 'The White Horse; Into the Sunset'. The original setting of this
music can be heard on Jerry Goldsmith's recording of North's 2001: A Space
Odyssey: track 7: 'Space Station Docking'. Anyone who likes Trevor Jones
scores for Excalibur and Merlin and fancies a journey into
the fantastical heart of darkness will probably appreciate this stark odyssey.
The 1981 sound is unsurprisingly the best on the album.
So far, so brilliant. If only more of the album had been given over to the
first two scores, instead of allocating the greatest running time [29:22
minutes - the cover reads 28:42] to the jaunty, lightweight and syrupy score
(complete with 'native' voices) for the Cinerama travelogue South Seas
Adventure (1957). Of course being Alex North, the score is superbly crafted,
but it now seems very dated and sentimental, composed as it was to accompany
the bland optimism of an America boldly going forth and discovering brave
new islands full of quaint and charming natives to stare at in wide-eyed
wonder. There is appealing music here, but at virtually half-an-hour the
effect becomes cloying, with the rather muddy sound not helping at all. Perhaps
in a new recording a suite from the best of this score might make the music
might sparkle afresh.
With 38 minutes of great film music on offer this album is certainly worth
owning, but perhaps only really worthwhile if you can not either find, or
afford both the separate soundtrack albums for Cheyenne Autumn and
Dragonslayer.
Cheyenne
Autumn
Dragonslayer
Cinerama South Seas
Adventure
Reviewer
Gary S. Dalkin