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November 1999 Film Music CD Reviews |
Film Music Editor: Ian Lace |
ROBERT RUSSELL BENNETT (1894-1981) Abraham Lincoln Symphony (1929) [29.32] Sights and Sounds - an orchestral entertainment (1929) [22.56] Moscow SO/William T Stromberg NAXOS AMERICAN CLASSICS 8.559004 [53.27] |
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Bennett is best known as an orchestrator for shows and perhaps best of all for his Symphonic Portrait of Gershwins Porgy and Bess. His success with shows secured his commercial future. However he was also busy in the field of serious composition. Lincoln inspired many American works. The most exposed remains Coplands Lincoln Portrait for orator ad chorus but the roster of Lincolniana is long and distinguished and the present symphony forms part of the orchestral list:-
A Lincoln Legend MORTON GOULD Bennett wrote four numbered symphonies:-
No. 1 written in Europe (1926) The symphony on this disc was written for the 1929 RCA Victor competition judged by Stokowski, Olga Samaroff, Koussevitsky, Frederick Stock and Rudolph Ganz. The munificent prize ($25,000) was split equally five ways: between Coplands Dance Symphony, Blochs Helvetia, Louis Gruenbergs Symphony and the two works on this disc. Bennett had entered one serious work and the other a much lighter work. Both won alongside the Bloch, Copland and Gruenberg. The Symphony is a work of serious and poetic spirit with much of the pugnacious Northern poetry of Hansons first two symphonies. Indeed Hanson seems to have been something of an influence and certainly he supported Bennett's works in concert performances throughout his life. This symphony is well worthy of that devotion. The hoarsely throaty horns captured in forward splendour in this recording are one of the coronet and laurels of this most rewarding recording. The initial moderato ruffles musingly lyrical waters with fragments of the belligerent Johnny Comes Marching Home. Apart from Hansonian coups there are also some typical Roy Harris eruptions from the brass. The second movement has a restive oboe song and some silky string playing as well as a jaunty cavalry patrol at 2.00. The Allegro Animato (III) has a flouncey dynamically glancing texture - a virtuosic helter-skelter of slides, runs and wilderness hunting calls. The finale is characterised by those grand stabbing and abrasive horns in full flight and hunting call clamour. This is a most rewarding work well attuned to those who love their Hanson, Roy Harris and Malcolm Arnold (anticipating his waspish exuberance and tense lyricism by at least a decade) but with a twist and skew all its own. The Sights and Sound suite - entitled an orchestral entertainment is the lighter of the two pieces. It is not however light in the Ferdy Grofé sense. It is more a dashing concerto for orchestra - a work alive with the chaotic collage spirit of a childs colouring book. The work bursts with impressions: poetic, popular, banal and catchy. It seems a natural counterpart to the John Alden Carpenter works like Krazy Kat, Skyscraper and Adventures in a Perambulator. A slightly jazzy atmosphere crosses its pages but not suffocatingly so. The voices of people like Stravinsky (Rite of Spring), Constant Lambert (Piano Concerto), gamelan and Bartók are not far off and if some of these voices seem advanced for the time the coating given to these influences is candy-coated without being saccharin. Nothing is tough to take on. As a series of contemporary sketches it is more successful than George Lloyds similarly themed 1960s collage Charade. Another voice in there is that of Vaughan Williams and he also glances out through the pages of the symphony. The fruity-chirpy of the sax at track 9 0.35 in the Fox-Trot is a winner. This piece is much better than the notes and the movement titles (Union Station, Highbrows, Lowbrows, Electric Signs, Night Club, Skyscraper, Speed) hint. This is no Grofe or Coates style (and I like both composers by the way) novelty box of tricks. Great notes by Bennett biographer George J Ferencz. A valuable collection with plenty to enjoy in fact, all in all, quite a revelatory disc - a jewel in the Naxos crown. A CD that makes me want to hear more Bennett. How about the other symphonies? Reviewer Rob Barnett
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Rob Barnett
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