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November 1999 Film Music CD Reviews |
Film Music Editor: Ian Lace |
Sony Music 100 Years: Soundtrack for a Century
Complete boxed set 26CD at Amazon ($296.97 ) Yalplay (£143.97)
Compilation: Movie Music: The Definitive Performances by Various Composers / |
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Individual discs not offered yet |
Compilation: Broadway: The Great Original Cast Recordings by Various Composers |
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Individual discs not offered yet |
In celebration of the end of the century, Sony Music has compiled perhaps the most extensive collection of recorded music ever. Drawing from archives of labels affiliated with Sony Music, Legacy Recordings has assembled an impressive historical sampler of music from the last 100 years. The result, Sony Music 100 Years: Soundtrack for a Century, consists of 547 titles on 26 CDs, packaged by genre into 12 volumes (multiple CDs per volume), which are sold both individually and as a boxed set. The boxed set includes all 26 CDs in a special binder, as well as a coffee table book (retails for $260 - $300 online). The individual volumes sell for $20 to $23 online and come with extensive liner notes on each title (Movie Music and Broadway have booklets over 60 pages long each.) The 12 volumes cover 10 major genres: Pop Music (Early Years, Golden Era, and Modern Era), Classical, Jazz, Folk Gospel and Blues, Country, Rock, R&B, International, Movie Music, and Broadway. This article reviews only the latter two volumes, focusing mainly on Movie Music, which is the only volume of interest to soundtrack lovers. Although the word "soundtrack" is used in the title of this compilation, only the Movie Music volume is dedicated to movie soundtracks. The rest are compilations of their respective genres. The Broadway volume might have tangential interest for fans who also enjoy Broadway shows. Movie Music: The Definitive Performances is an amazing collection of 44 selections representing 43 films (Titanic had two tracks) from the first decade of the century to 1998. Unfortunately for score fans, only six (maybe seven) of these selections are score tracks: "Music for Silent Movies," The Bridge Over River Kwai, West Side Story, Dances with Wolves, Forrest Gump, and Titanic. Giant by Dmitri Tiomkin is featured as well, but includes a generous amount of singing. Together (counting Giant), these tracks comprise only 21 minutes of score music. So if you are a strict score-only fan, this volume probably wouldn't be appealing. Besides, you probably already have the full score to each of these films. If your love for film music extends to movie songs that become inextricably linked to heart of the films (like me), then Movie Music is an exciting gem of a compilation. Every single song selected for this album is a priceless classic. From the original performance of "Singin' in the Rain" to "An Affair to Remember" to the famous "M*A*S*H*" theme to "My Heart Will Go On," each song is a cultural icon, a treasured slice of film music history. It is the immense memorial value of this collection, which captures the emotional essence of timeless movie classics, that gives this volume the bomb shelter rating. If the bomb siren sounds, this would be the one songtrack album I would take underground with me without hesitation. What could better remind us unequivocally of the intrinsic and indispensable role music plays in pictures, than songs that evoke instant nostalgia of the films we love? The first disc is full of golden age oldies, including "Inka-Dinka-Doo" by Jimmy Durante (for the younger audience, remember Greedy with Michael J. Fox?) and other songs performed by Mae West, Fred Astaire, Judy Garland, Bing Crosby, Frank Sinatra, and Doris Day. The sounds are classic Americana (similar to early Disney music like Snow White and Cinderella), reminding us of a more innocent and romantic age in our cultural history. There is a soothing and carefree feel to these songs that make them a gentle pleasure to listen to. The first CD ends with the winding down of this innocence in 1960's, featuring songs such as "Mrs. Robinson" from The Graduate, "To Sir With Love," and "The Way We Were." The second disc moves through contemporary favorites such as Kenny Loggin's "Footloose," Berlin's "Take My Breath Away" from Top Gun, Bruce Springsteen's "Streets of Philadelphia" from Philadelphia, and closing with Aerosmith's "I Don't Want to Miss a Thing" from Armageddon. The only shortcoming of this album is that it is limited to songs released by Sony Music, which means it failed to feature other soundtrack chart toppers such as "The Time of My Life" from Dirty Dancing, "What a Feeling" from Flashdance, or "Gangsta's Paradise" from Dangerous Minds. Still, over 75 minutes of music on each CD is not a shabby effort. They definitely had enough from their own archives to fill each CD up with only the best. The Broadway album likewise has a thorough and delightful representation of all the original (as in first) cast recordings of classics like Show Boat, My Fair Lady, South Pacific, West Side Story, Sound of Music, Cabaret, and A Chorus Line. Of course, all the major classics have been made into film, which has the recordings that are much more familiar to the present audience. The sound in original Broadway cast recordings is decidedly different from current styles. Even though they are performed by such notable voices as Ethel Merman, Julie Andrews, Chita Rivera, Richard Burton, or Dick Van Dyke, the performances have a corny formality that is easily overshadowed by their contemporary counterparts. Most of the time, the sound is somewhat spare and stiff, not as rich in orchestration or emotion as their more recent versions on either Broadway or film. Perhaps it is a result of familiarity or better technology, but I prefer the film versions to any one of these older performances. The value of this album is more because of its panoramic view of Broadway music history than in the sheer preeminence of the craft. Broadway fans, in particular, would enjoy this respectable sampler of the early days of the art. Depending on how much you love music, and how much history you enjoy as a part of your listening experience, you may either celebrate the release of the Movie Music and/or Broadway volumes or find them optional for your collection. For myself, I love hearing the delicate evolution of film music and owning a piece of our cultural heritage. If only Sony had made a Film Score volume, life would be perfect. Reviewer Helen San Movie Music
We are grateful to Helen San (www.cinemusic.net) for giving us permission to include this review which is currently appearing on her Film Music site. |
Helen San
Movie Music
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