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Jerry GOLDSMITH Patton Frank DeVoL The Flight of the Phoenix Film Score Monthly SILVER AGE CLASSICS FSM Vol 2 No 2 [76:17]


This is another of Film Score Monthly’s invaluable restorations from the Silver Age (the 1960s and 1970s).

There are three recordings of Jerry Goldsmith conducting his Patton score, including his 1997 Varèse Sarabande album; but, for me, this has to be the best; it has bite and immediacy. Unlike the new VS recording, this wonderfully refurbished OST recording (on CD for the first time), features the original echoplex trumpet sessions meticulously overlaid into the brilliant studio performance as heard in the film.

The album contains 15 memorable tracks from the 1970 film – most of them dominated by Goldsmith’s famous echoed trumpet triplet theme. The Main Title music played over an empty battle field introduces this theme with flutes percussion and a sickening-sounding growling figure for brass as we see vultures devouring the bodies of dead soldiers. In cue two, ‘The Battle Ground’, as Patton pauses to reflect on battles over 1,000 years ago (he was intensely religious and believed in reincarnation). We hear eerie glissandi effects with organ underpinings. The material develops into religious music very much in the Gregorian mode. (I immediately associated this music with Respighi; and imagery of not only the church but also Rome and its historic splendours – all very apposite to the screenplay and a tribute to the skills of Goldsmith). This richness and complexity of texture is maintained throughout the score making us see the paradoxes of war, the glory the pity and the horror. The famous Hospital sequence, where Patton abuses a shell-shocked soldier thinking him to be a coward, draws music of such complexity - sympathy mixed with misplaced brutality. Goldsmith’s music carries us forward through Patton’s desert campaign, through to his push towards Berlin. Contrasting the exhilaration of victory, is the more dissonant music of the German successes in their winter offensive. The rousing Patton March that made up the interval music is also included.

Frank DeVol’s score for The Flight of the Phoenix (1965) while not as memorable as Patton, is interesting enough. It is romantic and dramatic and particularly strong on characterisation – very important in a film where clashes of temperament in a hostile environment is a key element in the screenplay. There is poignancy too in a well-judged inclusion of source music – Connie Francis singing Senza Fine which is heard over the radio by the mortally wounded Gabriela and the occupants of the wrecked aircraft that has come down in the Sahara. Another highlight is the tension-filled music DeVol creates for the preparations for flight and the take-off of the Phoenix built from the wreckage of the downed plane.

As usual Jeff Bond contributes full articulate track-by-track notes with observations about the films and the composers. There are also many film stills in the 16 page booklet

Reviewer

Ian Lace

Reviewer

Ian Lace

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