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December 1999 Film Music CD Reviews |
Film Music Editor: Ian Lace |
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William Ross' "Tin Cup" does overflow! The music offers country & western, blues ('Double Bogey Blues,' arranged by Ross), no holds barred orchestral, and Ross still has room to throw the audience a couple of fitting surprises. It is a distinctive and refined share of film music; it is a delightfully above-average score to hear, especially from a composer relatively close to the beginning of his game. Most impressive are the symphonic flourishes -- at times overly dramatic (I am thinking, Is this golf, or the parting of the Red Sea?), but strengthened with confident grace, bold tonality, and extremely solid orchestration. And as with any romantic score -- in this case, both for love of a woman and love of a game -- there is a need for distinguished melodies. There is, appropriately enough, a pair of them here: a slick, free and easy tune for Tin Cup, and the previously mentioned fanfare for the grace of golf. The presentation is a small flaw... The orchestra's performance is surprisingly rough... There are several harshly played notes, and the finale on Varese Sarabande's "Hollywood 96" album received a more pleasant and charismatic reading. However, it gets the point across, and Mr. Ross continues to establish himself as an influential creative presence ("The Amazing Panda Adventure" and "My Fellow Americans" are proficient scores, as well). "Tin Cup" is not tin-pot. Reviewer Jeffrey Wheeler
Promotional Albums offer lesser celebrated film composers the opportunity to bring their work (often of good quality but unsung [if you will forgive the pun]) to the attention of prospective producers who might be interested in contracting them for film scoring assignments. Another market opportunity is for short films, trailers, commercials, and other theatre and TV projects where producers with limited budgets might be interested in buying material "off the shelf." Lastly, film music buffs who have admired the scores but hitherto have never had an opportunity of acquiring the music now have an opportunity of buying scores they have admired. For instance anybody who liked Hummie Mann's music for Mel Brook's farce, Dracula, Dead and Loving It (with Leslie Nielsen) can now buy it from specialist sellers such as:
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Jeffrey Wheeler
Reviews carry sales links |
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