Sigmund Romberg (1887-1951) was, as Peter Dempsey so aptly
puts it in his erudite notes, a theatrical legend in his own lifetime…the
composer of more than 70 musicals and a key figure in the 20th-century
evolution of Viennese operetta. He trained and began his career in Vienna before migrating to America in 1909. His compositional talents were recognised
early by the theatrical entrepreneur, Jake Schubert, and he scored his Broadway
debut with a review, The Whirl of the World, that ran for 161
performances. Many successes followed in succeeding years like Maytime
(492 performances), Blossom Time, The Student Prince (608
performances) and The Desert Song, Rosalie, The New Moon. By the late
1920s Romberg had become interested in the talkies and settled in California intending to devote himself to writing for films. He enjoyed something of an
Indian summer career as a conductor earning considerable applause on
radio and in American concert halls.
Most of the songs are sung by very familiar screen stars of
the 1930s and ‘50s. Popular duo, the sweet toned lyric soprano, Jeanette
MacDonald, and that dashing oaken-voiced baritone, Nelson Eddy open this
nostalgic trip for older film fans with the hauntingly lovely ‘Will You Remember’
from the 1937 film, Springtime and ‘The Song of Love’ from Romberg’s
1921 stage show , Blossom Time (with its cute little reference to
Beethoven’s Pastoral Symphony in the opening orchestral bars). From Romberg’s
1928 show and the 1940 film, The New Moon, a sterner Eddy leads in the
stirring Romberg marching song ‘Stout-Hearted Men’ and, in more romantic mood
sings in a Latin-inflected, ‘Softly, As In A Morning Sunrise’, while his
Jeannette romanticizes girlishly with ‘One Kiss’ and poignantly with one of
Romberg’s loveliest melodies, ‘Lover, Come Back To Me’. Still from the
immensely successful The New Moon, popular baritone, Gordon MacRae
(remembered for his partnership with Doris Day in her early Warner Bros
musicals, and then as the lead in 20th Century Fox’s film versions
of Oklahoma! and Carousel) partners Lucille Norman in another
Romberg hit, ‘Wanting You’
Nelson Eddy starred with Evelyn Laye in the 1935 film of The
Night is Young which had him singing another Romberg favourite, ‘When I Grow
Too Old For Dream’ while Evelyn Laye (such a dated but nonetheless charming
voice) sang ‘The Night is Young’.
Mario Lanza is strongly featured, or at least his voice is,
in four songs from the 1954 MGM musical The Student Prince, for by that
time Lanza had become so corpulent that the studio had to star the wooden
Edmund Purdom. But what memorable songs: the rousing but romantic ‘Drinking
Song’ the nostalgic ‘Golden Days’ and the haunting ‘Deep in My Heart, Dear’ and
how Lanza caresses these latter two songs. The Desert Song hit
Broadway in 1926 and was filmed three times in 1929, 1943 and 1953. On this
disc, Tony Martin rouses his men to ‘The Riff Song’ romances with Kathryn
Grayson in ‘The Desert Song (Blue Heaven)’ and muses over his love in ‘One Alone’.
Coming forward to recordings from the 1950s, Howard Keel
strikes a patriotic note with ‘Your Land and My Land’ from the 1954 film, Deep
in My Heart and Tony Martin rings down the curtain singing ‘My Heart Won’t
Say Goodbye’ from the 1954 show, The Girl in Pink Tights
Golden melodies from Sigmund
Romberg, the early master of American musicals.
Ian Lace
Rating: N/A