Proof is the latest film from John Madden, the Oscar-winning director
of Shakespeare in Love and Captain Corelli's
Mandolin. Based on the Pulitzer Prize-winning play by David Auburn, Proof
follows Catherine (Gwyneth Paltrow), a devoted
daughter who comes to terms with the death of her father (Anthony Hopkins). He
was a brilliant mathematician whose genius was crippled by mental insanity, and
Catherine is forced to face her own long-harboured
fears and emotions when confronted by the similar symptoms of illness
Although not far from James Horner’s Iris and A Beautiful Mind
(which featured similar plot lines of suffering genii), Warbeck’s
score is very laid back gentle affair, and there are none of the vocals that characterise the latter. The main theme - ‘Proof’ - is a
shimmering piece of minimalism. The theme starts evocatively on a pulsating
primer for guitar, marimba and xylophone, and is slowly fleshed out into an
orchestral passage before it returns to silence. It’s a very relaxing and
infectious little motive that swings between the moods, and is reminiscent of
James Horner and Thomas Newman.
Throughout the rest of the album, the main theme is reprised in many
variations and disguises in such tracks as in ‘Writing the Proof’, ‘Lost Days’
and ‘Testing the Proof’. Piano, oboe, strings, guitars all interlay across in
subtle textures, Edgy strings in particularly are most prevalent in the main
title theme reprisal in ‘Line By Line’ a seven minute cue that climaxes the
album. This is an enjoyable album that is both deep and engaging as long you
put your “mind” to it. If the first listen doesn’t grab you, fear not, the
second attempt will open your mind to different aural vistas.
A quiet score
that yields great moments of delight and ingenuity. Recommended.
Amer Zahid
Rating: 3