I’m a big fan of John Harrison’s music. I
recall hearing the first haunting strains of his score for Creepshow (1982)
as I sat in a darkened cinema, and later thinking that if the film itself had
been as evocative as the music, I would have been far more enthusiastic about
the overall experience. Then there was Harrison’s dynamic, stylish work on Day
of the Dead, a dark, toe-tapping synth score somewhere between Goblin and
Carpenter. I even bought the soundtrack for Tales from the Darkside: The
Movie on the strength of Harrison’s contribution to the score and that had
some fine moments too. So all of this should set the tone for a glowing review
of Harrison’s first foray into movie scoring on the shoestring budgeted Effects
(1980).
Alas, I find myself in the awkward position
of having to dismiss this release as lamentable nostalgia that could only be of
appeal to the composer himself. To say that it is amateurish and naïve is to be
kind. As an historic document detailing the evolution of Harrison’s film music
it may have passing interest, but as a musical work in its own right it is
simply dreadful. The dated synth sound could be quite charming if the
composition itself was in any way inventive, but this really is an example of a
young man with a synthesiser who is struggling with the form and only manages
to come up with some poorly conceived motifs and atmospherics. It all adds up
to little more than a lesson in what to avoid, even if I’m sure it was created
with great enthusiasm and a distinct lack of resources. The fact that John
Harrison went on the produce work of real merit suggests that with this early
effort he was at the experimentation stage and whatever he learnt was later put
to good use. Despite this, even for John Harrison fans such as myself, there is
little to recommend here. I really wish I could say something more positive,
but all I can think of is to suggest bypassing this and moving on smartly to
his later work.
Mark Hockley
Rating: 0.5